In March 2007, The Teaching and Learning Cinema, an artist group from Sydney, Australia, coordinated by Louise Curham and myself, recreated the conditions for a contemporary experience of Anthony McCall\u27s Long Film for Ambient Light (1975). Long Film for Ambient Light is a work of Expanded Cinema, comprising the bare minimum elements required for film : light, time, a screen, and an audience. Here I discuss some aspects of this recreation, with particular focus on the compilation of an experiential document as a way of understanding how the work affected individuals who encountered it
This thesis is a reflective report and a critical analysis of the exploration and redefinition of mo...
Expo 67, in its utopian aspirations, invited artists to create the world anew. What distinguished Mo...
Cinemas of Endurance begins by questioning the way in which critics and scholars have addressed art ...
In the silence of a darkened interior, a mesmerizing cone of light projects from ceiling to floor in...
Between 1966 and 1976, some independent filmmakers began to make works which questioned the mechanic...
Charting the development of the studio practice of New York based artist Anthony McCall (b.1946), th...
Posthumanism is a contested term, seen by some as leading towards a merging of human bodies and tech...
This practice-based research investigates the relationship between making paintings and the phenome...
ThesisThis practice-led doctoral research examines lighting techniques used by cinematographers and ...
Teaching and Learning are Louise Curham & Lucas Ihlein. TLC evolved from the Sydney Moving Image Coa...
I have just completed a specific project that consolidates my artistic practice during the past six ...
This project has explored the relationship between the moving image and temporal experience. Acknowl...
This article discusses the relevance of common definitions of the practice of cinematography as pres...
Super Media World has been an exploration of the spaces that exist around, within, and between scree...
Digital video as an expressive art medium has informed both narrative and installation based video f...
This thesis is a reflective report and a critical analysis of the exploration and redefinition of mo...
Expo 67, in its utopian aspirations, invited artists to create the world anew. What distinguished Mo...
Cinemas of Endurance begins by questioning the way in which critics and scholars have addressed art ...
In the silence of a darkened interior, a mesmerizing cone of light projects from ceiling to floor in...
Between 1966 and 1976, some independent filmmakers began to make works which questioned the mechanic...
Charting the development of the studio practice of New York based artist Anthony McCall (b.1946), th...
Posthumanism is a contested term, seen by some as leading towards a merging of human bodies and tech...
This practice-based research investigates the relationship between making paintings and the phenome...
ThesisThis practice-led doctoral research examines lighting techniques used by cinematographers and ...
Teaching and Learning are Louise Curham & Lucas Ihlein. TLC evolved from the Sydney Moving Image Coa...
I have just completed a specific project that consolidates my artistic practice during the past six ...
This project has explored the relationship between the moving image and temporal experience. Acknowl...
This article discusses the relevance of common definitions of the practice of cinematography as pres...
Super Media World has been an exploration of the spaces that exist around, within, and between scree...
Digital video as an expressive art medium has informed both narrative and installation based video f...
This thesis is a reflective report and a critical analysis of the exploration and redefinition of mo...
Expo 67, in its utopian aspirations, invited artists to create the world anew. What distinguished Mo...
Cinemas of Endurance begins by questioning the way in which critics and scholars have addressed art ...