Beckett and the Modern Novel

Samuel Beckett\u27s narrative innovations are among his most important contributions to twentieth-century literature. Yet contemporary Beckett scholarship rarely considers the effect of his literary influences on the evolution of his narrative techniques, focusing instead on Beckett\u27s philosophical implications. In this study, John Bolin challenges the utility of reading Beckett through a narrow philosophical lens, tracing new avenues for understanding Beckett\u27s work – and by extension, the form of the modern novel – by engaging with English, French, German and Russian literature. Presenting new empirical evidence drawn from major archives in the United Kingdom, Ireland and the United States, Bolin demonstrates Beckett\u27s preoccupation with what he termed the \u27European novel\u27: a lineage running from Sade to Stendhal, Dostoevsky, Gide, Sartre and Celine. Through close readings of Beckett\u27s manuscripts and novels up to and including The Unnamable, Bolin provides a new account of how Beckett\u27s fiction grew out of his changing compositional practice