Add to ORKGTaking \u27The Memory Salvage Project\u27 and associated exhibition of photographs, \u27Lost and Found\u27, as its focus, this essay explores the purpose and meaning of personal photographs salvaged from the debris of the Tohoku (or Great East Japan) earthquake and tsunami of March 2011. The essay discusses the photos\u27 relationship to memory and to community. It also compares their capacity to affect the viewer with \u27the usual\u27 disaster photos that are replicated from one disaster to the next in a variety of news media. The essay considers how these very different photos (of people and places pre- rather than post- disaster) elicit a different response from the viewer
The last few years have seen the emergence of a range of Digital Humanities projects concerned with ...
This study investigates a form of cultural production defined by the gathering of crisis-related med...
This invited article examines the ethics of ruin photography through the autoethnographic lens of a ...
In this essay I analyze landscape photography produced in the aftermath of the tsunami and earthquak...
Curated by socio-cultural anthropologist Fuyubi Nakamura, the exhibition entitled A Future for ...
This report aims at analyzing the photo collection of the Great Kanto Earthquake at Tokyo Memorial H...
Ayaß R. Photographs of Disasters. An Ethnomethodological Approach. Visual Studies. 2020;35(2-3):167-...
This dissertation takes up the question of how authors, artists, filmmakers and others attempted to ...
This paper investigates how affective space is located and constructed in post-disaster places. In e...
This article investigates the role that art photography of in relation to the earthquake and tsunami...
In 1947, less than two years after an atomic bomb exploded over the Japanese city of Hiroshima, kill...
This article discusses the case of Rikuzentakata, a town almost completely destroyed by the 2011 tsu...
This article discusses the case of Rikuzentakata, a town almost completely destroyed by the 2011 tsu...
The last few years have seen the emergence of a range of Digital Humanities projects concerned with ...
This study investigates a form of cultural production defined by the gathering of crisis-related med...
This invited article examines the ethics of ruin photography through the autoethnographic lens of a ...
In this essay I analyze landscape photography produced in the aftermath of the tsunami and earthquak...
Curated by socio-cultural anthropologist Fuyubi Nakamura, the exhibition entitled A Future for ...
This report aims at analyzing the photo collection of the Great Kanto Earthquake at Tokyo Memorial H...
Ayaß R. Photographs of Disasters. An Ethnomethodological Approach. Visual Studies. 2020;35(2-3):167-...
This dissertation takes up the question of how authors, artists, filmmakers and others attempted to ...
This paper investigates how affective space is located and constructed in post-disaster places. In e...
This article investigates the role that art photography of in relation to the earthquake and tsunami...
In 1947, less than two years after an atomic bomb exploded over the Japanese city of Hiroshima, kill...
This article discusses the case of Rikuzentakata, a town almost completely destroyed by the 2011 tsu...
This article discusses the case of Rikuzentakata, a town almost completely destroyed by the 2011 tsu...
The last few years have seen the emergence of a range of Digital Humanities projects concerned with ...
This study investigates a form of cultural production defined by the gathering of crisis-related med...
This invited article examines the ethics of ruin photography through the autoethnographic lens of a ...