Add to ORKGPhysical theatre, Live Art and Cinema have through performer and filmmaker established a vigorous practice in recent years, challenging the confines of more traditional art forms. Practitioners have come together with audiences to create between them a physical cinema converging as a series of spatial modes.This paper will outline some recent developments in this interdisciplinary field
As a fundamentally hybrid medium, cinema has always to some extent been defined by its interactions ...
ABSTRACT Recently, documentary practices, including those working with moving images, have known an ...
Human bodily gestures are now clearly present as a factor in human-computer interface design extendi...
lished a vigorous practice in recent years, challenging the confines of more traditional artforms. P...
Our experience as collaborative practitioners suggests that a paradigmatic shift has to take place w...
In contemporary moving image culture expanded cinema is a far from uncontested term. A number of pra...
Murray’s contributions were written partly from the lived experience of being a professional practit...
In the computer-based digital domain, interaction with video is becoming aneveryday occurrence. Brea...
This volume, published in parallel to “Exhibiting the Moving Image,” extends the inquiry into the hi...
A substantially updated and extended second edition of the 2007 original with the same name. An over...
In an attempt to produce critical associations between the fields of cinema, expanded cinema, contem...
This research investigates the film practice of cinematic virtual reality (CVR), the adoption of vir...
Live Cinema is a term used to capture a diverse range of experiences that incorporate a 'live' eleme...
Conventional cinema constructs a strict demarcation between filmic space and the architecture of the...
Dancing muses. Cinema and the correspondance of artsHow traditional arts are used and adapted by fil...
As a fundamentally hybrid medium, cinema has always to some extent been defined by its interactions ...
ABSTRACT Recently, documentary practices, including those working with moving images, have known an ...
Human bodily gestures are now clearly present as a factor in human-computer interface design extendi...
lished a vigorous practice in recent years, challenging the confines of more traditional artforms. P...
Our experience as collaborative practitioners suggests that a paradigmatic shift has to take place w...
In contemporary moving image culture expanded cinema is a far from uncontested term. A number of pra...
Murray’s contributions were written partly from the lived experience of being a professional practit...
In the computer-based digital domain, interaction with video is becoming aneveryday occurrence. Brea...
This volume, published in parallel to “Exhibiting the Moving Image,” extends the inquiry into the hi...
A substantially updated and extended second edition of the 2007 original with the same name. An over...
In an attempt to produce critical associations between the fields of cinema, expanded cinema, contem...
This research investigates the film practice of cinematic virtual reality (CVR), the adoption of vir...
Live Cinema is a term used to capture a diverse range of experiences that incorporate a 'live' eleme...
Conventional cinema constructs a strict demarcation between filmic space and the architecture of the...
Dancing muses. Cinema and the correspondance of artsHow traditional arts are used and adapted by fil...
As a fundamentally hybrid medium, cinema has always to some extent been defined by its interactions ...
ABSTRACT Recently, documentary practices, including those working with moving images, have known an ...
Human bodily gestures are now clearly present as a factor in human-computer interface design extendi...