Opening the body: reading Ten Canoes with critical intimacy

The 2006 Australian film Ten Canoes, directed by Rolf de Heer and Peter Djigirr, opens wIth a slow aerial shot over the Arafura swamp\u27s watery landscape, underscored by natIve bIrd calls, then the sound of rain, followed again by birds. After one full minute, the unnamed narrator\u27s voice joins the bird sounds when he says, \u27Once upon a time, in a land far, far away ... [Laughs] // No, not like that, I\u27m only joking\u27. These opening words allude to a Western tradition of orality, the fairy tale, as well as to the popular culture phenomenon Star Wars which begins with the words, \u27A long time ago in a galaxy far, far away \u27 . The inherent ambiguity of this laugh may lead viewers to wonder whether the narrator es laughing with or at us, or perhaps both. Critics\u27 analyses of this opening have IdentIfied the narrator\u27s laugh as preparation \u27for a very different kind of story\u27 (Henderson 54) and as ironic and transformative (Crosbie 144), a laugh that shifts the narrative away from a familiar story to a personal one