Most media work today takes place under atypical conditions, i.e. media professionals such as journalists, musicians, filmmakers, advertising creatives and game developers generally work without open-ended contracts. In this essay, a theory of atypical media work is outlined highlighting this way of working and being at work from the current culture of capitalism. Further, it also throws light on how dualisms, dominating the discourse on media work – such as contracted versus freelance labour, primary and secondary sector employment, good versus bad jobs, paid versus unpaid work – are not as useful as they seem to be is shown. It also delves into the different ways of making precarity, precariousness, constrained autonomy and lack of agency...
How do we understand the psychic life of cultural workers under neoliberalism? ‘Hope labour’ is a de...
Despite today’s ruling of neoliberal capitalism, New Media Art could be regarded as a place of resis...
Socially engaged art has, for some, become a professionalised, freelance funded form of labour. It i...
This chapter examines a politics of creative media work in order to make claims for what is good wor...
This article introduces a special section concerned with precariousness and cultural work. Its aim i...
This master’s thesis investigates how freelancers experience job precarity and asymmetrical power re...
This article argues that the Political Economy of Communication (PEC) has generally failed to develo...
As media have become dominant players in society’s affairs and, as an industry, represent a powerful...
How can we understand contradictory identifications within work to which one is passionately attache...
In keeping with the focus of this special section, we concentrate initially on some of the problems ...
Precarious Creativity examines the seismic changes confronting media workers in an age of globalizat...
International audienceArtistic work has been mainly defined in modern industrial societies by its at...
This paper was presented at Paper Session 4 – Labour Processes and Subjectivities. A dominant theme ...
This article introduces a special section concerned with precariousness and cultural work. Its aim i...
Considered to be a blindspot until recently, labor has now become a popular research topic within me...
How do we understand the psychic life of cultural workers under neoliberalism? ‘Hope labour’ is a de...
Despite today’s ruling of neoliberal capitalism, New Media Art could be regarded as a place of resis...
Socially engaged art has, for some, become a professionalised, freelance funded form of labour. It i...
This chapter examines a politics of creative media work in order to make claims for what is good wor...
This article introduces a special section concerned with precariousness and cultural work. Its aim i...
This master’s thesis investigates how freelancers experience job precarity and asymmetrical power re...
This article argues that the Political Economy of Communication (PEC) has generally failed to develo...
As media have become dominant players in society’s affairs and, as an industry, represent a powerful...
How can we understand contradictory identifications within work to which one is passionately attache...
In keeping with the focus of this special section, we concentrate initially on some of the problems ...
Precarious Creativity examines the seismic changes confronting media workers in an age of globalizat...
International audienceArtistic work has been mainly defined in modern industrial societies by its at...
This paper was presented at Paper Session 4 – Labour Processes and Subjectivities. A dominant theme ...
This article introduces a special section concerned with precariousness and cultural work. Its aim i...
Considered to be a blindspot until recently, labor has now become a popular research topic within me...
How do we understand the psychic life of cultural workers under neoliberalism? ‘Hope labour’ is a de...
Despite today’s ruling of neoliberal capitalism, New Media Art could be regarded as a place of resis...
Socially engaged art has, for some, become a professionalised, freelance funded form of labour. It i...