Add to ORKGQuentin Tarantino has secured his place in popular culture by reaching into neglected corners of cinema for genres that are ready for reinvention and rediscovery
International audienceThe article examines how Death Proof (Tarantino, 2007) subverts both gender an...
Director Quentin Tarantino's films Death Proof, Kill Bill I and II, Jackie Brown, and\ud Inglourious...
abstract: My thesis provides an in-depth analysis of the Tarantinoverse, a shared universe in which ...
Fifty Contemporary Filmmakers examines the work of some of today's most popular, original and influe...
This essay is a comparative analysis of Quentin Tarantino´s first, Reservoir Dogs (Quentin Tarantino...
Quentin Tarantino’s eighth film entitled “The Hateful Eight” creates some arguments about misogyny a...
Reflexivity has been one of the tenets in postmodern filmmaking, particularly in the realm of metaci...
Revisionist Spectacle? Theatrical Remediation in Alejandro G. Iñárritu’s Birdman and Quentin Taranti...
International audienceQuentin Tarantino's films beg to be considered metafiction: metacommentaries t...
It is fairly obvious that Tarantino has contributed to making exploitation cinema, if not universall...
Exploitation films from the 1970s and early 80s such as Foxy Brown (Jack Hill, 1974) and Switchblade...
The opening of Quentin Tarantino’s The Hateful Eight conjoins the iconic landscape of the Western, C...
This thesis examines the critical response to Quentin Tarantino’s representations of screen violence...
The films of Quentin Tarantino have held a significant influence on modern cinema, and therefore on ...
Exploitation films from the 1970s and early 80s such as Foxy Brown (Jack Hill, 1974) and Switchblade...
International audienceThe article examines how Death Proof (Tarantino, 2007) subverts both gender an...
Director Quentin Tarantino's films Death Proof, Kill Bill I and II, Jackie Brown, and\ud Inglourious...
abstract: My thesis provides an in-depth analysis of the Tarantinoverse, a shared universe in which ...
Fifty Contemporary Filmmakers examines the work of some of today's most popular, original and influe...
This essay is a comparative analysis of Quentin Tarantino´s first, Reservoir Dogs (Quentin Tarantino...
Quentin Tarantino’s eighth film entitled “The Hateful Eight” creates some arguments about misogyny a...
Reflexivity has been one of the tenets in postmodern filmmaking, particularly in the realm of metaci...
Revisionist Spectacle? Theatrical Remediation in Alejandro G. Iñárritu’s Birdman and Quentin Taranti...
International audienceQuentin Tarantino's films beg to be considered metafiction: metacommentaries t...
It is fairly obvious that Tarantino has contributed to making exploitation cinema, if not universall...
Exploitation films from the 1970s and early 80s such as Foxy Brown (Jack Hill, 1974) and Switchblade...
The opening of Quentin Tarantino’s The Hateful Eight conjoins the iconic landscape of the Western, C...
This thesis examines the critical response to Quentin Tarantino’s representations of screen violence...
The films of Quentin Tarantino have held a significant influence on modern cinema, and therefore on ...
Exploitation films from the 1970s and early 80s such as Foxy Brown (Jack Hill, 1974) and Switchblade...
International audienceThe article examines how Death Proof (Tarantino, 2007) subverts both gender an...
Director Quentin Tarantino's films Death Proof, Kill Bill I and II, Jackie Brown, and\ud Inglourious...
abstract: My thesis provides an in-depth analysis of the Tarantinoverse, a shared universe in which ...