This paper argues the importance to the creative practitioner in finding the right mentor as an axis for growth. The discussion interchanges the terms 'artist' and 'practitioner', not to denote broad scopes of diverse disciplines but to mean the creative writer in a research setting. It applies the term 'creative practice' to mean the duality of artist and scholar in action research. The personal communication from the Australasian PhD student is witness to the solitary milieu in which artists in doctoral settings find themselves. The right mentor can trigger or catalyse insight to the solitary artist to whom isolation is not an optimal setting; collaboration and participation are vital elements providing important tensions that add value t...
Supervision in the creative arts is a topic of growing significance since the increase in creative p...
This paper utilises a case study approach to examine practice-led research in a specific discipline ...
We have inherited a strongly individualistic view of creativity from Western culture and psychologis...
This paper explores the significance of mentors and mentoring relationships for novices in creative ...
Christine White's “Knowledge How and Knowledge Whether” debates the “know how” of the artist in cont...
This paper is an attempt to respond to this challenge by Stelarc – one of Australia’s most accomplis...
Recent history has seen a global shift towards the arts as part of larger university systems, but wi...
Due, in part, to the previous lack of recognition for arts practice as research, artists working as ...
With the move towards inclusion of the arts as part of the larger university system, has come the pr...
In this paper I am positioning the creative practitioner within a paradigm of methodological inventi...
The academic space for creative practice research is dynamic and ‘is always in the process of being ...
This article is within the context of a prose writer immersed in creative practice. It takes into ac...
What is practice as research and why do it? How can practice demonstrate new knowledge? What questio...
This paper contends that the arts and design are improved by critical exercise as mindful practice. ...
As practitioner-researchers, how do we discuss and analyse our work without losing the creative driv...
Supervision in the creative arts is a topic of growing significance since the increase in creative p...
This paper utilises a case study approach to examine practice-led research in a specific discipline ...
We have inherited a strongly individualistic view of creativity from Western culture and psychologis...
This paper explores the significance of mentors and mentoring relationships for novices in creative ...
Christine White's “Knowledge How and Knowledge Whether” debates the “know how” of the artist in cont...
This paper is an attempt to respond to this challenge by Stelarc – one of Australia’s most accomplis...
Recent history has seen a global shift towards the arts as part of larger university systems, but wi...
Due, in part, to the previous lack of recognition for arts practice as research, artists working as ...
With the move towards inclusion of the arts as part of the larger university system, has come the pr...
In this paper I am positioning the creative practitioner within a paradigm of methodological inventi...
The academic space for creative practice research is dynamic and ‘is always in the process of being ...
This article is within the context of a prose writer immersed in creative practice. It takes into ac...
What is practice as research and why do it? How can practice demonstrate new knowledge? What questio...
This paper contends that the arts and design are improved by critical exercise as mindful practice. ...
As practitioner-researchers, how do we discuss and analyse our work without losing the creative driv...
Supervision in the creative arts is a topic of growing significance since the increase in creative p...
This paper utilises a case study approach to examine practice-led research in a specific discipline ...
We have inherited a strongly individualistic view of creativity from Western culture and psychologis...