This paper explores how we, as individuals, purposefully or serendipitously encounter 'new music' (that is, music that we haven’t heard before) and relates these behaviours to music information retrieval activities such as music searching and music discovery via use of recommender systems. 41 participants participated in a three-day diary study, in which they recorded all incidents that brought them into contact with new music. The diaries were analyzed using a Grounded Theory approach. The results of this analysis are discussed with respect to location, time, and whether the music encounter was actively sought or occurred passively. Based on these results, we outline design implications for music information retrieval software, and suggest...
Most Music Information Retrieval (MIR) researchers will agree that understanding users' needs and be...
Utilizing the Experience Sampling Method, this research investigated how individuals encounter music...
User studies focusing upon real-life music information needs, uses and seeking behaviours are still ...
This paper explores how we, as individuals, purposefully or serendipitously encounter 'new music' (t...
This paper explores how we, as individuals, purposefully or serendipitously encounter 'new music' (t...
At present, music digital library systems are being developed based on anecdotal evidence of user ne...
Music consumption has skyrocketed in the past few years with advancements in internet and streaming ...
The aim of this thesis is to investigate what information needs arise from the interest in music, wh...
Studies have shown that repeated exposures to novel songs cause an increase in a person's memory and...
User studies in the music information retrieval (MIR) domain tend to be exploratory and qualitative ...
This qualitative study focuses on what contributes to making a music information-seeking experience ...
Abstract. The growing amount of digital music available at desktop computers and portable media play...
Providing means to assist the user in finding music is one of the original motivations underlying th...
We explore music search behavior by identifying music-related queries in a large (over 20 million qu...
This paper argues for the potential of cognition-based music retrieval by introducing the notion of ...
Most Music Information Retrieval (MIR) researchers will agree that understanding users' needs and be...
Utilizing the Experience Sampling Method, this research investigated how individuals encounter music...
User studies focusing upon real-life music information needs, uses and seeking behaviours are still ...
This paper explores how we, as individuals, purposefully or serendipitously encounter 'new music' (t...
This paper explores how we, as individuals, purposefully or serendipitously encounter 'new music' (t...
At present, music digital library systems are being developed based on anecdotal evidence of user ne...
Music consumption has skyrocketed in the past few years with advancements in internet and streaming ...
The aim of this thesis is to investigate what information needs arise from the interest in music, wh...
Studies have shown that repeated exposures to novel songs cause an increase in a person's memory and...
User studies in the music information retrieval (MIR) domain tend to be exploratory and qualitative ...
This qualitative study focuses on what contributes to making a music information-seeking experience ...
Abstract. The growing amount of digital music available at desktop computers and portable media play...
Providing means to assist the user in finding music is one of the original motivations underlying th...
We explore music search behavior by identifying music-related queries in a large (over 20 million qu...
This paper argues for the potential of cognition-based music retrieval by introducing the notion of ...
Most Music Information Retrieval (MIR) researchers will agree that understanding users' needs and be...
Utilizing the Experience Sampling Method, this research investigated how individuals encounter music...
User studies focusing upon real-life music information needs, uses and seeking behaviours are still ...