Cinema did not emerge from a eureka moment, but rather through the incremental innovations of pioneers such as the Lumiere brothers, Etienne-Jules Marey and Thomas Edison. So it is unsurprising that filmmakers regularly return to science and technology for inspiration. For every The Social Network, however, there is a Hackers; likewise, rare accomplishments such as 2001: A Space Odyssey tend to be followed by a flurry of ill-advised imitators. Liam Burke looks at some of the greatest triumphs of cinema’s fertile engagement with science and technology
Many commentators and proponents of the film industry have called for a review of the cinematographi...
Abstract In 2000 I published the outcome of research into the invention, innovation and mutual intel...
RECYCLED ELECTRONS: FILM AND THE DIGITAL I - Algebra in CorkTo begin with a digression from digital ...
http://dx.doi.org/10.5007/1807-1384.2017v14n2p19 Faced with contemporary issues that call into ques...
Cinema and Physics are two very intertwined fields: the discoveries in physics opened new and more e...
The development of special effects technologies, from Edison’s Kinetograph to digitally composited f...
Science fiction filmmakers often create their own ‘archives’ of science-based materials (articles, n...
From the very beginning of cinema, there has been a contingent of filmmakers who are drawn to look t...
This is the first book in English in nearly half a century to tell the full story of the internation...
The world is witnessing a big boom in the field of innovations, inventions and technological develop...
Technology and Culture: The Film Reader brings together key theoretical texts from more than a centu...
This fourth title in the series The Key Debates sets out where the term techne comes from, how it un...
For nearly a century, the public has enjoyed motion pictures through a singular mode of experience –...
The connection between astronomy and an independent, widespread cultural expression like cinematogra...
With machines mediating most of our cultural practices, and innovations, obsolescence and revivals c...
Many commentators and proponents of the film industry have called for a review of the cinematographi...
Abstract In 2000 I published the outcome of research into the invention, innovation and mutual intel...
RECYCLED ELECTRONS: FILM AND THE DIGITAL I - Algebra in CorkTo begin with a digression from digital ...
http://dx.doi.org/10.5007/1807-1384.2017v14n2p19 Faced with contemporary issues that call into ques...
Cinema and Physics are two very intertwined fields: the discoveries in physics opened new and more e...
The development of special effects technologies, from Edison’s Kinetograph to digitally composited f...
Science fiction filmmakers often create their own ‘archives’ of science-based materials (articles, n...
From the very beginning of cinema, there has been a contingent of filmmakers who are drawn to look t...
This is the first book in English in nearly half a century to tell the full story of the internation...
The world is witnessing a big boom in the field of innovations, inventions and technological develop...
Technology and Culture: The Film Reader brings together key theoretical texts from more than a centu...
This fourth title in the series The Key Debates sets out where the term techne comes from, how it un...
For nearly a century, the public has enjoyed motion pictures through a singular mode of experience –...
The connection between astronomy and an independent, widespread cultural expression like cinematogra...
With machines mediating most of our cultural practices, and innovations, obsolescence and revivals c...
Many commentators and proponents of the film industry have called for a review of the cinematographi...
Abstract In 2000 I published the outcome of research into the invention, innovation and mutual intel...
RECYCLED ELECTRONS: FILM AND THE DIGITAL I - Algebra in CorkTo begin with a digression from digital ...