Add to ORKGThis article brings together Helene Cixous’ theorisation of a transgressive writing practice with Deleuze and Guattari’s radical re-conception of corporeality to discuss the implications, promises and failures of a digital/sonic/written/voiced choreographic practice. This piece is framed by the practice of half/angel, a performance company directed by Jools Gilson-Ellis and Richard Povall
This chapter imagines performance art as queer time and space. Performance art not only contests nor...
The article explores the potential “healing” role performance art can have when representing disabli...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
This article brings together Helene Cixous’ theorisation of a transgressive writing practice with De...
International audienceThe Big Art Group has joined the New York performance scene since 1999, explor...
This thesis deals with the representation of the body and space in the theatre of Bernard-Marie Kol...
In this article, I highlight the system of relays between Deleuze and Guattari's (2010) 'Body withou...
Are performing arts doomed to numerous meta-interpretations that bare the masks of a first-order tra...
The interior of the contemporary art space provides its users with a sterilised laboratory for the p...
This dissertation investigates the expansion of performative possibilities toward and through nonhum...
Through two books and a series of video documentations of live performances Mette Ingvartsen makes c...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
In the context of the increasing use of new spaces for choreography and new modalities of choreograp...
Faceless Body in Performance is a practice-led research project in live and digital performance. Th...
In her 1987 essay 'The Place of Crime the Place of Pardon', French philosopher and playwright Helene...
This chapter imagines performance art as queer time and space. Performance art not only contests nor...
The article explores the potential “healing” role performance art can have when representing disabli...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
This article brings together Helene Cixous’ theorisation of a transgressive writing practice with De...
International audienceThe Big Art Group has joined the New York performance scene since 1999, explor...
This thesis deals with the representation of the body and space in the theatre of Bernard-Marie Kol...
In this article, I highlight the system of relays between Deleuze and Guattari's (2010) 'Body withou...
Are performing arts doomed to numerous meta-interpretations that bare the masks of a first-order tra...
The interior of the contemporary art space provides its users with a sterilised laboratory for the p...
This dissertation investigates the expansion of performative possibilities toward and through nonhum...
Through two books and a series of video documentations of live performances Mette Ingvartsen makes c...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
In the context of the increasing use of new spaces for choreography and new modalities of choreograp...
Faceless Body in Performance is a practice-led research project in live and digital performance. Th...
In her 1987 essay 'The Place of Crime the Place of Pardon', French philosopher and playwright Helene...
This chapter imagines performance art as queer time and space. Performance art not only contests nor...
The article explores the potential “healing” role performance art can have when representing disabli...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...