This article is a reconsideration of The Virgin Spring that focuses upon the rape at the centre of the film's action, despite the film's surface attempts to marginalise all but its narrative functionality. While the deployment of this rape supports critical observations that rape on-screen commonly underscores the seriousness of broader thematic concerns, it is argued that the visceral impact of this brutal scene actively undermines its narrative intent. No matter how central the journey of the vengeful father's mission from vengeance to redemption is to the story, this ultimately pales next to the shocking impact of the rape and murder of the girl herself
The article considers the motif of rape – one of the most important in Włodzimierz Odojewski’s prose...
This article discusses the film Hard Candy in relation to debates surrounding the meanings of femini...
This article investigates the image of masochism presented by David Cronenberg's film Crash (1996) a...
This article critically examines rape scenes in two films of the ‘new extreme cinema’, Gaspar Noé’s ...
Often considered the lowest depth to which the cinema can plummet, the rape-revenge film has been di...
This article critically examines rape scenes in two films of the new extreme cinema, Gaspar No\u27s ...
The Book of Revelation focuses on modern dancer Daniel’s (Tom Long) abduction by three masked women....
This study explored rape depictions and rape myths in the mainstream American filmindustry. Four rap...
Trauma theorists foreground the unrepresentability of trauma; however, with modern innovations in vi...
This thesis focuses on rape and violence in film, and specifically why the use of violence in film d...
This paper will concern itself with the issue of the representation of rape within contemporary cine...
Rape‐revenge is one of cinema studies’ neglected genres, even in spite of the plethora of examples g...
This article contributes to a body of research in which media reports of violence against women are ...
The essays in this volume discuss narrative strategies employed by international writers when dealin...
Representations of rape in film have contributed significantly to the mass of representations of rap...
The article considers the motif of rape – one of the most important in Włodzimierz Odojewski’s prose...
This article discusses the film Hard Candy in relation to debates surrounding the meanings of femini...
This article investigates the image of masochism presented by David Cronenberg's film Crash (1996) a...
This article critically examines rape scenes in two films of the ‘new extreme cinema’, Gaspar Noé’s ...
Often considered the lowest depth to which the cinema can plummet, the rape-revenge film has been di...
This article critically examines rape scenes in two films of the new extreme cinema, Gaspar No\u27s ...
The Book of Revelation focuses on modern dancer Daniel’s (Tom Long) abduction by three masked women....
This study explored rape depictions and rape myths in the mainstream American filmindustry. Four rap...
Trauma theorists foreground the unrepresentability of trauma; however, with modern innovations in vi...
This thesis focuses on rape and violence in film, and specifically why the use of violence in film d...
This paper will concern itself with the issue of the representation of rape within contemporary cine...
Rape‐revenge is one of cinema studies’ neglected genres, even in spite of the plethora of examples g...
This article contributes to a body of research in which media reports of violence against women are ...
The essays in this volume discuss narrative strategies employed by international writers when dealin...
Representations of rape in film have contributed significantly to the mass of representations of rap...
The article considers the motif of rape – one of the most important in Włodzimierz Odojewski’s prose...
This article discusses the film Hard Candy in relation to debates surrounding the meanings of femini...
This article investigates the image of masochism presented by David Cronenberg's film Crash (1996) a...