Recent years have seen a notable surge in activism focused on promoting diversity in book publishing. Since 2014, efforts like the We Need Diverse Books campaign and #OwnVoices have increased pressure on the industry to address its long-standing lack of diversity. Such efforts, and the publishing industry’s consequent attempts to create change, have been the subject of much public debate. In early 2017, public debate intensified, focalizing around the increasingly regular use of sensitivity readers to check children’s and young adult fiction books for inaccurate representations of historically marginalized identities and experiences. This debate formalized arguments for and against diversity efforts in the publishing industry. In this paper...
When exploring young adult literature, it is specifically important to research racial diversity bec...
This article based on an empirical study of Australian authors argues that, despite the OwnVoices mo...
It is a truth universally acknowledged that the publishing industry—in possession of predominately w...
© 2018, © 2018 Australian Library & Information Association. Based on a study of Australian young ad...
This research expands on a previous discourse analysis of censorship on challenges to diverse books ...
When author Corinne Duyvis created the #OwnVoices hashtag on Twitter in 2015 as a way to recommend d...
This paper explores the ways in which critical race theory (CRT) is used in the We Need Diverse Book...
This paper will examine the Oregon Battle of the Books (OBOB) reading lists for the last five years,...
African Americans remain marginalized within the children’s publishing industry, despite the 2014 in...
In 2019, only 6% of U.S. children’s books published were written by black authors. This portion of t...
In recent years, critics’ attention has been drawn to a persistent lack of diversity in the pu...
So much recent attention has been focused on the need for quality books featuring diverse characters...
Science fiction and fantasy is one of the most abundant genres today, projected to gross $590.2 mill...
The author will explore the ways in which Critical Race Theory (CRT) is used in the We Need Diverse ...
Despite the complicated past of ethnic censorship, ethnic diversity has a prominent role in children...
When exploring young adult literature, it is specifically important to research racial diversity bec...
This article based on an empirical study of Australian authors argues that, despite the OwnVoices mo...
It is a truth universally acknowledged that the publishing industry—in possession of predominately w...
© 2018, © 2018 Australian Library & Information Association. Based on a study of Australian young ad...
This research expands on a previous discourse analysis of censorship on challenges to diverse books ...
When author Corinne Duyvis created the #OwnVoices hashtag on Twitter in 2015 as a way to recommend d...
This paper explores the ways in which critical race theory (CRT) is used in the We Need Diverse Book...
This paper will examine the Oregon Battle of the Books (OBOB) reading lists for the last five years,...
African Americans remain marginalized within the children’s publishing industry, despite the 2014 in...
In 2019, only 6% of U.S. children’s books published were written by black authors. This portion of t...
In recent years, critics’ attention has been drawn to a persistent lack of diversity in the pu...
So much recent attention has been focused on the need for quality books featuring diverse characters...
Science fiction and fantasy is one of the most abundant genres today, projected to gross $590.2 mill...
The author will explore the ways in which Critical Race Theory (CRT) is used in the We Need Diverse ...
Despite the complicated past of ethnic censorship, ethnic diversity has a prominent role in children...
When exploring young adult literature, it is specifically important to research racial diversity bec...
This article based on an empirical study of Australian authors argues that, despite the OwnVoices mo...
It is a truth universally acknowledged that the publishing industry—in possession of predominately w...