This project proposes the use of archival photographs of remote upriver communities in Southeast Asia for investigating notions of social memory and identity. The Sarawak Museum in Malaysia has a vast archive of photographs of Indigenous communities in the State. In this project, the images are digitised, analysed in their historical role and used within the communities they were taken in to trace the changes that have occurred in the span of their existence. Some points of focus are digitising archives, changing attitudes in the field of visual anthropology, using new media for opening up archives for re-appropriation of artefacts
Memory has been figured as an important process of placing and locating people and communities, both...
The Malaysian film industry has entered the digital industry when all production and national b...
Borneo: Memory of the Caves is the account of an extraordinary adventure, told by the protagonists w...
The Sarawak Museum archive in Malaysia contains thousands of photographic prints and negatives from ...
This article examines the role of embodied and performative knowledge in the museum environment, wit...
The history of Malacca as a port city has brought together the acculturation of cultures from variou...
The deployment of digitization technologies in the realm of culture and heritage is extensively esta...
Early photographic and anthropological processes produced specific forms of colonial knowledge. Imag...
This dissertation is an historical ethnography of photography as a technology of vision and memory i...
The goal of this project is to cover an interesting episode of local Sarawak history and local cultu...
This project examines the limitations imposed by photography as an apparatus for enabling memory and...
This analysis of changing perceptions of ethnic identity in Sarawak revolves around migration and im...
The ‘Orang Asli’ or original people refer to the aborigines living in Peninsular Malaysia. The major...
Riwayat Hidup, which translates to ‘Life Stories’ in Malay, takes a microhistorical approach to loca...
This research was conducted by using textual, qualitative approach while looking closer at the signi...
Memory has been figured as an important process of placing and locating people and communities, both...
The Malaysian film industry has entered the digital industry when all production and national b...
Borneo: Memory of the Caves is the account of an extraordinary adventure, told by the protagonists w...
The Sarawak Museum archive in Malaysia contains thousands of photographic prints and negatives from ...
This article examines the role of embodied and performative knowledge in the museum environment, wit...
The history of Malacca as a port city has brought together the acculturation of cultures from variou...
The deployment of digitization technologies in the realm of culture and heritage is extensively esta...
Early photographic and anthropological processes produced specific forms of colonial knowledge. Imag...
This dissertation is an historical ethnography of photography as a technology of vision and memory i...
The goal of this project is to cover an interesting episode of local Sarawak history and local cultu...
This project examines the limitations imposed by photography as an apparatus for enabling memory and...
This analysis of changing perceptions of ethnic identity in Sarawak revolves around migration and im...
The ‘Orang Asli’ or original people refer to the aborigines living in Peninsular Malaysia. The major...
Riwayat Hidup, which translates to ‘Life Stories’ in Malay, takes a microhistorical approach to loca...
This research was conducted by using textual, qualitative approach while looking closer at the signi...
Memory has been figured as an important process of placing and locating people and communities, both...
The Malaysian film industry has entered the digital industry when all production and national b...
Borneo: Memory of the Caves is the account of an extraordinary adventure, told by the protagonists w...