The key functions of a museum are collecting, preserving and presenting, and informing the public about culture and art. Performance art has been notoriously difficult for museums to handle. Despite the ‘easy’ presentation, the non-materiality of the artform challenges a museum’s conventional methods and practices. Artist Tino Sehgal added to these problems by insisting that his performances, or better his ‘constructed situations’, absolutely cannot be documented in any way or form. While several books and some catalogues have been written about his work, none of them include images of actual performances. This exhibition catalogue is part of Monoskop Exhibition Library @ Seoul Mediacity Biennial 2018
In this dissertation, I examine the temporal and material connections between component parts of hyb...
This thesis reframes the history of live art as a mode of simultaneous production, exhibition and re...
In this thesis I explore play as enacted in certain forms of performance art presented in the public...
The key functions of a museum are collecting, preserving and presenting, and informing the public ab...
Museum practices of collecting and conservation have a long history of documenting artworks as a for...
This dissertation concerns the problematic of preserving performance art. The ephemeral nature of pe...
This chapter reflects on the implications of memory and practices of remembrance in performance- and...
What of dance is welcomed in the museum, and what remains on the outside? Artist Tino Seghal's "cons...
Tino Sehgal is internationally renowned for his »constructed situations«, artworks based on the inte...
What conservation strategies can be used for Tino Sehgal’s 2005 work This Is So Contemporary, and wh...
This paper presents an experiment in creative critical writing by focusing on my engagement—over the...
In the canon of western performance art it is those works that have been documented for posterity th...
This book investigates the practices of reconstructing and representing performance art and their po...
International audienceTino Sehgal receives carte blanche to work in the immense space of the Palais ...
Can performance art be conserved – and if so, how? At this colloquium, Performance Conservation: Art...
In this dissertation, I examine the temporal and material connections between component parts of hyb...
This thesis reframes the history of live art as a mode of simultaneous production, exhibition and re...
In this thesis I explore play as enacted in certain forms of performance art presented in the public...
The key functions of a museum are collecting, preserving and presenting, and informing the public ab...
Museum practices of collecting and conservation have a long history of documenting artworks as a for...
This dissertation concerns the problematic of preserving performance art. The ephemeral nature of pe...
This chapter reflects on the implications of memory and practices of remembrance in performance- and...
What of dance is welcomed in the museum, and what remains on the outside? Artist Tino Seghal's "cons...
Tino Sehgal is internationally renowned for his »constructed situations«, artworks based on the inte...
What conservation strategies can be used for Tino Sehgal’s 2005 work This Is So Contemporary, and wh...
This paper presents an experiment in creative critical writing by focusing on my engagement—over the...
In the canon of western performance art it is those works that have been documented for posterity th...
This book investigates the practices of reconstructing and representing performance art and their po...
International audienceTino Sehgal receives carte blanche to work in the immense space of the Palais ...
Can performance art be conserved – and if so, how? At this colloquium, Performance Conservation: Art...
In this dissertation, I examine the temporal and material connections between component parts of hyb...
This thesis reframes the history of live art as a mode of simultaneous production, exhibition and re...
In this thesis I explore play as enacted in certain forms of performance art presented in the public...