This paper aims to expand our understanding of the processes involved in the production of the artificial pigment Egyptian blue through the scientific examination of pigments found in the first century BCE workshop of the Greek island of Kos. There, 136 Egyptian blue pellets were brought to light, including successfully produced pellets, as well as partially successful and unsuccessful products. This study is based on the examination of eighteen samples obtained from pellets of various textures and tones of blue, including light and dark blue pigments, coarse and fine-grained materials, and one unsuccessful pellet of dark green/grey colour. The samples were examined by optical microscopy, scanning electron microscopy coupled with energy-dis...
This work follows the recent discovery of a zinc-bearing Egyptian blue (EB) pigment widely used for ...
Several fragments of a blue ingot were found during the 2016 excavation campaign at Karkemish in the...
Summarization: An assemblage of approximately 500 colouring materials and objects related to their u...
This paper examines the production technology of Egyptian blue, an ancient artificial pigment, throu...
The ancient pigment Egyptian blue has long been studied for its historical significance; however, re...
WOS: 000328015000015The microstructure and chemical composition of blue cakes, found during the arch...
As the earliest artificial pigment, Egyptian blue has a millennia-long history of production, proces...
Egyptian blue (EB) is amongst the first man-made pigments. Archaeological EB samples from Pozzuoli, ...
Only a few scientific evidences for the use of Egyptian blue in Early Medieval wall paintings in Cen...
Egyptian blue, which was the first synthetic pigment to be used in antiquity, consists of crystals o...
The principal aim has been to obtain information on the procedures used in antiquity to produce the ...
This article describes the application of Raman microscopy (micro-Raman spectroscopy) to the charact...
The presence of a wide number of fragments of blue, red, yellow and green pigments in the collection...
The discussed comparative analyses of Roman Imperial pigment balls and fragmentary murals unearthed ...
One of the earliest examples of synthetic pigments is ‘cobalt blue’ or ‘Amarna blue’, which was prod...
This work follows the recent discovery of a zinc-bearing Egyptian blue (EB) pigment widely used for ...
Several fragments of a blue ingot were found during the 2016 excavation campaign at Karkemish in the...
Summarization: An assemblage of approximately 500 colouring materials and objects related to their u...
This paper examines the production technology of Egyptian blue, an ancient artificial pigment, throu...
The ancient pigment Egyptian blue has long been studied for its historical significance; however, re...
WOS: 000328015000015The microstructure and chemical composition of blue cakes, found during the arch...
As the earliest artificial pigment, Egyptian blue has a millennia-long history of production, proces...
Egyptian blue (EB) is amongst the first man-made pigments. Archaeological EB samples from Pozzuoli, ...
Only a few scientific evidences for the use of Egyptian blue in Early Medieval wall paintings in Cen...
Egyptian blue, which was the first synthetic pigment to be used in antiquity, consists of crystals o...
The principal aim has been to obtain information on the procedures used in antiquity to produce the ...
This article describes the application of Raman microscopy (micro-Raman spectroscopy) to the charact...
The presence of a wide number of fragments of blue, red, yellow and green pigments in the collection...
The discussed comparative analyses of Roman Imperial pigment balls and fragmentary murals unearthed ...
One of the earliest examples of synthetic pigments is ‘cobalt blue’ or ‘Amarna blue’, which was prod...
This work follows the recent discovery of a zinc-bearing Egyptian blue (EB) pigment widely used for ...
Several fragments of a blue ingot were found during the 2016 excavation campaign at Karkemish in the...
Summarization: An assemblage of approximately 500 colouring materials and objects related to their u...