Mir, ljubav i nerazumijevanje: Prikaz hipijevske kontrakulture u odabranim filmovima

The tumultuous 1960s were a decade marked by the countercultural movement on social, political, and cultural level in terms of challenging the traditional social norms and mainstream attitudes. The influence of the counterculture can be observed in many of the popular art forms, such as literature, music and filmmaking, originating both back in the day and nowadays. For that reason, the present thesis aims to analyze different ways in which the filmmakers depict the lifestyle and ideology of the members of the counterculture, providing the viewpoint of the conventional society as well as their personal one. The principal focus is placed on the type of community the countercultural members live in, its structure and the position of the female members, the hazards of misusing one’s entitlement to individualism within the community and the deviant acts of its members, the motives behind specific outfits, hairstyles, and drug consumption, as well as gatherings and protests caused by the social and political injustice. Being the crucial part of the moviemaking process, the thesis also deals with the cinematography along with the musical numbers that accompany it and reflect the spirit of the era.Godine 1960-e bile su desetljeće previranja obilježeno kontrakulturalnim pokretom na društvenoj, političkoj i kulturalnoj razini na način da je osporavao tradicionalne društvene norme i dominantne stavove. Utjecaj kontrakulture vidljiv je u mnogim popularnim umjetničkim formama, kao što su književnost, glazba i film, nastalim u to doba i u današnje vrijeme. Iz tog je razloga svrha ovog rada analizirati različite načine na koje filmaši prikazuju stil života i ideologiju pripradnika kontrakulture, nudeći također stajalište konvencionalnog društva ali i njihovo vlastito. Rad se fokusira na vrstu zajednice u kojoj žive pripadnici kontrakulture, njezinu strukturu i položaj ženskih članova, štetnost zloupotrebe prava na individualizam unutar zajednice i devijantne postupke njezinih članova, motive koji stoje iza specifične odjeće, frizura i konzumacije droga, kao i okupljanja i prosvjede protiv društvenih i političkih nepravdi. Budući da je ona od iznimne važnosti u procesu stvaranja filma, rad se bavi i filmskom fotografijom uz koju se također vežu glazbeni brojevi čije melodije i stihovi dočaravaju duh tog razdoblja