Film restoration is a complex and multidisciplinary field that requires the collaboration of many professionals. Here, we present a series of ongoing unresolved problems, focusing on digitisation, digital restoration and conservation
Our contribution is focused on the ongoing reconstruction and restoration of La battaglia dall'Astic...
The archives of motion pictures represent an important part of precious cultural heritage. But unfor...
Ethical and aesthetic guidelines in the field of moving image restoration have been adapted from cla...
Modern cinema has several technical standards and tools that aims at reproducing it through differen...
Throughout history, thousands of different kinds of film formats, emulsions and colour systems have ...
Film preservationists have been able to find methods to preserve traditional film stock for at least...
This dissertation presents algorithms associated with the development of a robust automatic m...
The identification and restoration of photographic and cinematographic films are often needed as the...
Among the great variety of our Cultural Heritage, photographic and cinematographic materials are fun...
Elsewhere I have discussed the transitional nature of film and argued that the current shift from an...
This chapter presents an approach to unsupervised digital movie restoration. The approach is based o...
In this paper a unified model for both detection and restoration of line scratches on color movies i...
The progressive degradation of current film archives poses a serious threat to the preservation of o...
Digital restoration is a rapidly growing methodology within the field of heritage conservation, espe...
This paper explores the current controversies surrounding film preservation in the digital era. Ques...
Our contribution is focused on the ongoing reconstruction and restoration of La battaglia dall'Astic...
The archives of motion pictures represent an important part of precious cultural heritage. But unfor...
Ethical and aesthetic guidelines in the field of moving image restoration have been adapted from cla...
Modern cinema has several technical standards and tools that aims at reproducing it through differen...
Throughout history, thousands of different kinds of film formats, emulsions and colour systems have ...
Film preservationists have been able to find methods to preserve traditional film stock for at least...
This dissertation presents algorithms associated with the development of a robust automatic m...
The identification and restoration of photographic and cinematographic films are often needed as the...
Among the great variety of our Cultural Heritage, photographic and cinematographic materials are fun...
Elsewhere I have discussed the transitional nature of film and argued that the current shift from an...
This chapter presents an approach to unsupervised digital movie restoration. The approach is based o...
In this paper a unified model for both detection and restoration of line scratches on color movies i...
The progressive degradation of current film archives poses a serious threat to the preservation of o...
Digital restoration is a rapidly growing methodology within the field of heritage conservation, espe...
This paper explores the current controversies surrounding film preservation in the digital era. Ques...
Our contribution is focused on the ongoing reconstruction and restoration of La battaglia dall'Astic...
The archives of motion pictures represent an important part of precious cultural heritage. But unfor...
Ethical and aesthetic guidelines in the field of moving image restoration have been adapted from cla...