Video installation creates an ideal and innovative platform for memory work and storytelling. In this chapter I will argue that the form, viewing space and content of the video installation medium provides an immersive environment for the viewer who can ‘read’ the images at their own pace and become self directed in their responses to the images and the meaning making that ensues from them. This will be explored with reference to my own work as a digital video installation artist. Three different works will be presented as illustrative examples of networked environments that provided an immersive experience for story-telling on the part of viewers
Audiovisual archives are the mnemonic records of the 20th and 21st centuries, the immense complexity...
In this paper I will discuss how video design can be used as a tool for expressing the mental state ...
Journalism and media content rests on a foundation of storytelling. Shaping this storytelling is the...
Much has been written about memory and its link with the visual where memory is likened to our recol...
In this thesis, I revisit the problem of interactive narrative and problematize some common underlyi...
This thesis proposes a novel interpretative key for the study of video installations based on the re...
Being present: here and there - An investigation and analysis of the conscious and unconscious roles...
Via various forms of audio-visual communications, from chat protocols, net and software art to onlin...
Creative Reportage refers to a theorised arts practice methodology of making installation artworks f...
Audiovisual archives are the mnemonic archives of the 21st century, with widespread platforms of vid...
ii I believe that digital storytelling through narrative video production is a beneficial practice t...
In traditional works of art, artists mainly show two-dimensional and three-dimensional spatial conce...
Digital storytelling is emerging as the most relevant way to deliver content in the digital age. In ...
Stories are a cultural universal that allow us to reflect on the way we live. Through the act of sto...
This article introduces and describes an emerging discipline, the design of narrative environments. ...
Audiovisual archives are the mnemonic records of the 20th and 21st centuries, the immense complexity...
In this paper I will discuss how video design can be used as a tool for expressing the mental state ...
Journalism and media content rests on a foundation of storytelling. Shaping this storytelling is the...
Much has been written about memory and its link with the visual where memory is likened to our recol...
In this thesis, I revisit the problem of interactive narrative and problematize some common underlyi...
This thesis proposes a novel interpretative key for the study of video installations based on the re...
Being present: here and there - An investigation and analysis of the conscious and unconscious roles...
Via various forms of audio-visual communications, from chat protocols, net and software art to onlin...
Creative Reportage refers to a theorised arts practice methodology of making installation artworks f...
Audiovisual archives are the mnemonic archives of the 21st century, with widespread platforms of vid...
ii I believe that digital storytelling through narrative video production is a beneficial practice t...
In traditional works of art, artists mainly show two-dimensional and three-dimensional spatial conce...
Digital storytelling is emerging as the most relevant way to deliver content in the digital age. In ...
Stories are a cultural universal that allow us to reflect on the way we live. Through the act of sto...
This article introduces and describes an emerging discipline, the design of narrative environments. ...
Audiovisual archives are the mnemonic records of the 20th and 21st centuries, the immense complexity...
In this paper I will discuss how video design can be used as a tool for expressing the mental state ...
Journalism and media content rests on a foundation of storytelling. Shaping this storytelling is the...