Pigments used in traditional limewashing paintings in Alentejo urban Heritage are inorganic materials and can be grouped into four categories: a) reds – red ochre (from terras rossas, red schists and iron ore deposits weathering), almagres, terra roxa (natural processed red ochres) and synthetic red iron oxides; b) yellows – yellow ochre (from schists and iron ore deposits), processed natural ochres, yellow iron synthetic oxides, c) blacks – black earths and black iron synthetic oxides and d) blues – artificial ultramarine. The present work proposes to characterize natural, natural processed and synthetic pigments by comparing phase and elemental compositions. The results reveal differences in Fe, Si, K and Al total content according to the...
Abstract Paintings and painted surfaces are considered to be extremely complex due to their multitud...
Based on historic documents, two lime-based paint formulations were produced in laboratory in order ...
This paper explores the processes involved in the production of prehistoric paintings using inorgan...
Pigments used in traditional limewashing paintings in Alentejo urban Heritage are inorganic material...
A series of colour assays were conducted taking into account old bibliographic recommendations and o...
Three different yellow and red ochre pigments geological sources from Alentejo—Terras rossas, schist...
Colored earth pigments sourced from Alentejo,Portugal, can be geologically categorized as either wea...
In this work, scanning electron microscopy (SEM), X-ray diffraction (XRD), and infrared spectroscopy...
Most inorganic pigments generally consist of the colouring agents such as hematite (red) or glauconi...
Historical painted works of art have a very complex inner structure. The period painting technique l...
Samples of blue wall paint layers from selected 15th to 18th century religious mural paintings from ...
Pigments containing iron, although they form a very large group, have never been considered very sui...
In this paper we discuss the use of mineral pigments recovered in stratigraphic position from three ...
Three mater ia ls used in t radi t ional paint making were anal ysed for thei r physical and chemica...
A non-invasive multi-analytical approach combining optical microscopy (OM), micro-X-ray diffraction ...
Abstract Paintings and painted surfaces are considered to be extremely complex due to their multitud...
Based on historic documents, two lime-based paint formulations were produced in laboratory in order ...
This paper explores the processes involved in the production of prehistoric paintings using inorgan...
Pigments used in traditional limewashing paintings in Alentejo urban Heritage are inorganic material...
A series of colour assays were conducted taking into account old bibliographic recommendations and o...
Three different yellow and red ochre pigments geological sources from Alentejo—Terras rossas, schist...
Colored earth pigments sourced from Alentejo,Portugal, can be geologically categorized as either wea...
In this work, scanning electron microscopy (SEM), X-ray diffraction (XRD), and infrared spectroscopy...
Most inorganic pigments generally consist of the colouring agents such as hematite (red) or glauconi...
Historical painted works of art have a very complex inner structure. The period painting technique l...
Samples of blue wall paint layers from selected 15th to 18th century religious mural paintings from ...
Pigments containing iron, although they form a very large group, have never been considered very sui...
In this paper we discuss the use of mineral pigments recovered in stratigraphic position from three ...
Three mater ia ls used in t radi t ional paint making were anal ysed for thei r physical and chemica...
A non-invasive multi-analytical approach combining optical microscopy (OM), micro-X-ray diffraction ...
Abstract Paintings and painted surfaces are considered to be extremely complex due to their multitud...
Based on historic documents, two lime-based paint formulations were produced in laboratory in order ...
This paper explores the processes involved in the production of prehistoric paintings using inorgan...