This essay appears in the first book to examine feminist curatorship in the last 40 years. It undertakes an extended reading of Cathy de Zegher's influential exhibition, Inside the Visible, An Elliptical Traverse of 20th Century Art. In, of and From the Feminine (1995) which proposed that modern art should be understood through cyclical shifts involving the constant reinvention of artistic method and identified four key moments in 20th century history to structure its project. The essay analyses Inside the Visible's concept of an elliptical traverse to raise questions about repetitions and recurrences in feminist exhibitions of the early 1980s, the mid 1990s and 2007 asking whether and in what ways questions of feminist curating have been c...
This essay charts a journey through a series of concentric circles. Like a pebble dropped into a sti...
Images of Women, which took place in Copenhagen in March 1970, at the same time as the first politic...
This article is based on interviews with the curators of two large feminist art exhibitions which op...
What happens to art when feminism grips the curatorial imagination? How do sexual politics become re...
Published on the occasion of a major exhibition opening at the Institute of Contemporary Art in Bost...
This exhibition catalogue, edited by the curator, De Zheger, surveys the contribution of women to 20...
Feminism has become energetically intertwined in the last forty years with the field of art – the cr...
Rethinking the monumental suggests not only a reconsideration of Judy Chicago’s controversial instal...
Unlike many of its comparator institutions, for example the Museum of Modern Art in New York and the...
This is an introduction to an edited book, and develops insights that arise from the new research co...
[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
The position that feminist art holds within the art museum is complex and often contradictory. As Me...
The position that feminist art holds within the art museum is complex and often contradictory. As Me...
To what extent have developments in global politics, artworld institutions, and local cultures resha...
Being Visible: Feminism, Art & the Internet looked at the role that the internet has played in enabl...
This essay charts a journey through a series of concentric circles. Like a pebble dropped into a sti...
Images of Women, which took place in Copenhagen in March 1970, at the same time as the first politic...
This article is based on interviews with the curators of two large feminist art exhibitions which op...
What happens to art when feminism grips the curatorial imagination? How do sexual politics become re...
Published on the occasion of a major exhibition opening at the Institute of Contemporary Art in Bost...
This exhibition catalogue, edited by the curator, De Zheger, surveys the contribution of women to 20...
Feminism has become energetically intertwined in the last forty years with the field of art – the cr...
Rethinking the monumental suggests not only a reconsideration of Judy Chicago’s controversial instal...
Unlike many of its comparator institutions, for example the Museum of Modern Art in New York and the...
This is an introduction to an edited book, and develops insights that arise from the new research co...
[Summary of the book containing this chapter:] What happens to art when feminism grips the curatoria...
The position that feminist art holds within the art museum is complex and often contradictory. As Me...
The position that feminist art holds within the art museum is complex and often contradictory. As Me...
To what extent have developments in global politics, artworld institutions, and local cultures resha...
Being Visible: Feminism, Art & the Internet looked at the role that the internet has played in enabl...
This essay charts a journey through a series of concentric circles. Like a pebble dropped into a sti...
Images of Women, which took place in Copenhagen in March 1970, at the same time as the first politic...
This article is based on interviews with the curators of two large feminist art exhibitions which op...