Abstract Luxury is central to the material culture of the country house and to many conceptualisations of the elite. Commentators from Adam Smith to Werner Sombart to Arjun Appadurai have distinguished luxury as a particular form of consumption, drawing a close link between luxury, status and honour. But luxury is both a slippery and relative term: a category that is contingent upon time and space, as well as culture and wealth, and one that was contested by contemporary commentators as well as modern scholars. Whether seen as 'social valuables', characterised by such things as cost and specific processes of acquisition, or as 'incarnated signs', which carried much broader meanings and associations, language is central t...