Virtualidades da heteronímia na internet: os sites person-to-person e a despersonalização criativa

Resumen: El objetivo de este artículo es presentar una metodología de análisis de las series de televisión, teniendo en cuenta el uso de la realidad y la ficción en la construcción narrativa de estas series, así como el uso de las estrategias de verosimilitud en las series con referentes del mundo real. Con la metodología elegida, el propósito es diferenciar entre el uso de realidad y ficción, por una parte, y el uso de la recurrencia temática, el mito y las referencias metatelevisivas, por otra. La metodología consiste en la edición del texto televisivo, ya que consideramos que las series dramáticas se pueden analizar como textos televisivos que son. El análisis empírico versa sobre tres series dramáticas estadounidenses: Lost, ABC: 2004-, CSI: Crime Scene Investigation, CBS: 2000-y The West Wing, NBC: 1999NBC: -2006. Todas ellas pertenecen a la llamada era del drama en televisión, y cada una representa un subgénero distinto, aventuras y ciencia ficción, policíaco y forense, y político y de lugar de trabajo. Palabras clave: Realidad; Ficción; Series Televisivas. Abstract: The purpose of this paper is to present a methodology of analysis of TV series, taking into account the use of reality and fiction in the narrative construction of these series, as well as the use of verosimilitude in "real-world" series. With the methodology chosen, the purpose is to distinguish between the usage of reality and fiction, on one hand, and the usage of thematic recurrence, myth and metaTV references, on the other. The methodology consists of the edition of televisual text. For, inasmuch as we consider that drama series are a text, they can be edited. The empirical analysis deals with three US TV series: Lost, ABC: 2004-, CSI: Crime Scene Investigation, CBS: 2000-and The West Wing, NBC: 1999NBC: -2006. They all belong to the drama"s era, but each of them represents a specific subgenre: adventures and science-fiction, crime and forensic, and workplace and politics. (CBS: 1955-1960, NBC: 1960-1962 and The Twillight Zone (CBS: 1959(CBS: -1965 The purpose of this paper is to analyse intertextuality in televisual narrative, specifically in drama series, in order to identify the usage of reality and fiction and thematic recurrences from an interdisciplinary perspective covering narratology, literary theory, mythology, semiotics and anthropology and could be named mediological intertextuality, as it is constantly related to previous texts (Debray, 2000). The analysis is focused on Lost, CSI and The West Wing, US series belonging to the drama era, which have a closed relationship between fact and fiction. Two of them, CSI and The West Wing, are workplace series. They are depicting the workplaces of forensic (CSI) and politics (The West Wing). Neither of them have a documentary intention, but a fictional purpose from a real world depiction. Definition, serial audiovisual text The serial audiovisual text is a trans-semiotic extension of the concept of "text", which, without loosing its linguistic dimension -inherent to it-modifies itself with the media (audiovisual, multimedia, televisual) that constitutes its suppor