This article frames the journal special issue by offering a broad reflection on the historical development of ideas that have informed debates concerning intermediality and its pedagogical contexts. It opens with a brief articulation of media and intermedial theory to inform the debate. The challenges of contemporary media hybridity are then set within an historical context by tracing the origins of current (perceived) knowledge dichotomies and hierarchies into the philosophical canons of western antiquity. In examining distinctions between the different types of knowledge and expression that form the constituent parts of contemporary intermedial theatres, the article considers philosophical debates, traces historical trajectories and probe...
The concept of intermediality underwent a deep transformation with the digital turn, when the differ...
This introduction to a special issue of Media Theory on Mediating Presents contextualises the themat...
This article explores how four British and German theatre companies that originated in the countercu...
This article frames the journal special issue by offering a broad reflection on the historical devel...
This article frames the special issue by offering a broad reflection on the historical development o...
This essay focuses on the response of drama pedagogy to the contemporary developments in intermedial...
As editors of this fourth special Essays section of the European Journal of Theatre and Performance,...
Chapter co-authored with Andrew Quick in Mark Crossley's (editor) book Intermedial Theatre. From ...
This dissertation investigates how theatre and performance artists use new media tools to facilitate...
In their article "Intermediality, Rhetoric, and Pedagogy," Kris Rutten and Ronald Soetaert discuss h...
Editorial for a special issue of Theatre, Dance and Performance Training, dedicated to training for ...
In her article ‘Border Talks: The problematic status of media borders in the current debate about in...
Rethinking Theatre and its Digital Double is an exploration of the influence of theatre and performa...
Does it ever happen that a theoretical perspective is articulated, accepted and then sealed from fur...
Different disciplines ‘do’ intermediality through their own specific take on what media are and how ...
The concept of intermediality underwent a deep transformation with the digital turn, when the differ...
This introduction to a special issue of Media Theory on Mediating Presents contextualises the themat...
This article explores how four British and German theatre companies that originated in the countercu...
This article frames the journal special issue by offering a broad reflection on the historical devel...
This article frames the special issue by offering a broad reflection on the historical development o...
This essay focuses on the response of drama pedagogy to the contemporary developments in intermedial...
As editors of this fourth special Essays section of the European Journal of Theatre and Performance,...
Chapter co-authored with Andrew Quick in Mark Crossley's (editor) book Intermedial Theatre. From ...
This dissertation investigates how theatre and performance artists use new media tools to facilitate...
In their article "Intermediality, Rhetoric, and Pedagogy," Kris Rutten and Ronald Soetaert discuss h...
Editorial for a special issue of Theatre, Dance and Performance Training, dedicated to training for ...
In her article ‘Border Talks: The problematic status of media borders in the current debate about in...
Rethinking Theatre and its Digital Double is an exploration of the influence of theatre and performa...
Does it ever happen that a theoretical perspective is articulated, accepted and then sealed from fur...
Different disciplines ‘do’ intermediality through their own specific take on what media are and how ...
The concept of intermediality underwent a deep transformation with the digital turn, when the differ...
This introduction to a special issue of Media Theory on Mediating Presents contextualises the themat...
This article explores how four British and German theatre companies that originated in the countercu...