Manuele Gragnolati and Francesca Southerden, ‘Openness and Intensity: Petrarch’s Becoming Laurel in **Rvf/** 23 and **Rvf/** 228’, in Manuele Gragnolati and Francesca Southerden, Possibilities of Lyric: Reading Petrarch in Dialogue, Cultural Inquiry, 18 (Berlin: ICI Berlin Press, 2020), pp. 45-63 <https://doi.org/10.37050/ci-18_02
Presentation and discussion of the latest ICI Berlin Press publication by Manuele Gragnolati and Fra...
This article brings Petrarch’s (1304–74) lyric poetry into dialogue with Barthes’s notion of “idiorr...
Adelia Noferi (1922-2014) was one the greatest scholars of Petrarch, Bruno, and D’Annunzio and twent...
Manuele Gragnolati and Francesca Southerden, ‘Openness and Intensity: Petrarch’s Becoming Laurel in ...
Our paper offers a comparative reading of Rvf 23 and 228, which describe the poetic subject’s transf...
International audienceThis paper offers a comparative reading of Rvf 23 and 228, which describe the ...
Our paper offers a comparative reading of Rvf 23 and 228, which describe the poetic subject's transf...
Manuele Gragnolati and Francesca Southerden, ‘The Shape of Desire: Metamorphosis and Hybridity in **...
Opening to passion as an unsettling, transformative force; extending desire to the text, expanding t...
Manuele Gragnolati and Francesca Southerden, ‘A “Miscellaneous Enterprise”’, in Manuele Gragnolati a...
Manuele Gragnolati and Francesca Southerden, ‘“Lust in Action”: Control and Abandon in Dante, Petrar...
This article examines the meaning of the word ‘vile’ by investigating how it is opposed to what is ‘...
This paper proposes a new reading of Petrarch’s RVF 70, an intertextual canzone (and part-cento) tha...
This thesis explores the intellectual concerns underpinning the final phases of Petrarch’s construct...
The collection of lyric poems that Petrarch worked on for nearly forty years reflects, through succe...
Presentation and discussion of the latest ICI Berlin Press publication by Manuele Gragnolati and Fra...
This article brings Petrarch’s (1304–74) lyric poetry into dialogue with Barthes’s notion of “idiorr...
Adelia Noferi (1922-2014) was one the greatest scholars of Petrarch, Bruno, and D’Annunzio and twent...
Manuele Gragnolati and Francesca Southerden, ‘Openness and Intensity: Petrarch’s Becoming Laurel in ...
Our paper offers a comparative reading of Rvf 23 and 228, which describe the poetic subject’s transf...
International audienceThis paper offers a comparative reading of Rvf 23 and 228, which describe the ...
Our paper offers a comparative reading of Rvf 23 and 228, which describe the poetic subject's transf...
Manuele Gragnolati and Francesca Southerden, ‘The Shape of Desire: Metamorphosis and Hybridity in **...
Opening to passion as an unsettling, transformative force; extending desire to the text, expanding t...
Manuele Gragnolati and Francesca Southerden, ‘A “Miscellaneous Enterprise”’, in Manuele Gragnolati a...
Manuele Gragnolati and Francesca Southerden, ‘“Lust in Action”: Control and Abandon in Dante, Petrar...
This article examines the meaning of the word ‘vile’ by investigating how it is opposed to what is ‘...
This paper proposes a new reading of Petrarch’s RVF 70, an intertextual canzone (and part-cento) tha...
This thesis explores the intellectual concerns underpinning the final phases of Petrarch’s construct...
The collection of lyric poems that Petrarch worked on for nearly forty years reflects, through succe...
Presentation and discussion of the latest ICI Berlin Press publication by Manuele Gragnolati and Fra...
This article brings Petrarch’s (1304–74) lyric poetry into dialogue with Barthes’s notion of “idiorr...
Adelia Noferi (1922-2014) was one the greatest scholars of Petrarch, Bruno, and D’Annunzio and twent...
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