This thesis offers an analysis of women in horror film through an in depth exploration of what I term ‘gynaehorror’ – horror films that are concerned with female sex, sexuality and reproduction. While this is a broad and fruitful area of study, work in it has been shaped by a pronounced emphasis upon psychoanalytic theory, which I argue has limited the field of inquiry. To challenge this, this thesis achieves three things. Firstly, I interrogate a subgenre of horror that has not been studied in depth for twenty years, but that is experiencing renewed interest. Secondly, I analyse aspects of this subgenre outside of the dominant modes of inquiry by placing an emphasis upon philosophies of sex, gender and corporeality, rather than focussing o...
My doctoral research explores how certain ideas from psychoanalysis can shed light on the aesthetic ...
This thesis examines the ways the post-modern horror films, Carrie and Shutter, culturally construct...
A dominant trope of the possession genre of horror cinema is the spectacle of the white female body ...
This thesis will examine the representation of motherhood in horror cinema in order to discuss the p...
This thesis will examine the representation of motherhood in horror cinema in order to discuss the p...
This thesis is a contemporaneous analysis of the subgenre of demon-possession film in post-recession...
This project is the first section of my interdisciplinary cinema studies/gender, sexuality, and femi...
“Dual Images of the \u27Monstrous Feminine\u27 in Three Horror Films” centers on the women in mainst...
Moving away from a discussion of horror films directed by men, “Bitten by the Demon of Cinema” those...
The female body has historically been determined as the site of thefrighteningly monstrous Other in ...
As a genre that serves to unnerve its viewers, horror often operates outside of the formal codes and...
This dissertation questions the aesthetic, affective, and ethical dimensions of the relationship bet...
This thesis argues that with the beginning of the 21st century new notions of the vilified woman who...
Women’s bodies have long served as a source for abject horror. Throughout horror books, movies, and ...
Andersen, Margaret L.The connection between horror and gender is nothing new. The context of psychoa...
My doctoral research explores how certain ideas from psychoanalysis can shed light on the aesthetic ...
This thesis examines the ways the post-modern horror films, Carrie and Shutter, culturally construct...
A dominant trope of the possession genre of horror cinema is the spectacle of the white female body ...
This thesis will examine the representation of motherhood in horror cinema in order to discuss the p...
This thesis will examine the representation of motherhood in horror cinema in order to discuss the p...
This thesis is a contemporaneous analysis of the subgenre of demon-possession film in post-recession...
This project is the first section of my interdisciplinary cinema studies/gender, sexuality, and femi...
“Dual Images of the \u27Monstrous Feminine\u27 in Three Horror Films” centers on the women in mainst...
Moving away from a discussion of horror films directed by men, “Bitten by the Demon of Cinema” those...
The female body has historically been determined as the site of thefrighteningly monstrous Other in ...
As a genre that serves to unnerve its viewers, horror often operates outside of the formal codes and...
This dissertation questions the aesthetic, affective, and ethical dimensions of the relationship bet...
This thesis argues that with the beginning of the 21st century new notions of the vilified woman who...
Women’s bodies have long served as a source for abject horror. Throughout horror books, movies, and ...
Andersen, Margaret L.The connection between horror and gender is nothing new. The context of psychoa...
My doctoral research explores how certain ideas from psychoanalysis can shed light on the aesthetic ...
This thesis examines the ways the post-modern horror films, Carrie and Shutter, culturally construct...
A dominant trope of the possession genre of horror cinema is the spectacle of the white female body ...