Department Head: Paola Malpezzi Price.2010 Spring.Includes bibliographical references (pages 64-66).Text in Spanish; title and abstract in English and Spanish.The daily life of the Spanish golden age, with its history, society, and socioeconomic problems, presents itself in a particular genre of theater produced during this era. The Baroque theater breaks the Aristotle formula used until this time, and defines the Spanish comedy as the voice of the people. Antonio Mira de Amescua's El esclavo del demonio is a clear representation of this style. It addresses the topics of honor and religion, two popular topics among the Spanish people during the Baroque period, through the ancient theme of selling your soul to the devil. This topic has been ...
Spanish Golden Age drama as an expression of morality falls between the extremes of art-for-art’s-sa...
This paper aims to analyze how the scenic word built the devil’s image and the diabolic, in four Spa...
Leading theatre historians and practitioners map a theatrical history that moves from the religious ...
This work will look into the manners of dealing with the image of the devil in the Spanish literatur...
This paper aims to analyze how the scenic word built the devil’s image and the diabolic, in four Spa...
In several plays of Spanish exile of 1939 the devil appears as one of the characters of the plot. In...
The thesis is focused on comparison of the Magic realism with the Baroque. Common characteristics we...
«Portuguese matter» is a subject that inspired a large amount of plays of the Spanish Golden Age. Th...
Focusing on the fields of Literature, History, Law and Cultural Studies, including topics like Ideol...
Among the many authors active during the Spanish Golden Age, Juan Ruiz de Alarcón stands out for his...
El doctor Mira de Amescua is one of the lesser known dramatists of Spain's tremendously fertile Gold...
Wild figures densely populate the forests of the Baroque imagination. They appear so frequently on t...
This dissertation examines the first modernized productions of the Spanish classics, which took plac...
Our article aims at determining a scheme in order to group the main information about the merchant i...
Within the rich tradition of Spanish theater lies an unexplored dimension reflecting themes from cla...
Spanish Golden Age drama as an expression of morality falls between the extremes of art-for-art’s-sa...
This paper aims to analyze how the scenic word built the devil’s image and the diabolic, in four Spa...
Leading theatre historians and practitioners map a theatrical history that moves from the religious ...
This work will look into the manners of dealing with the image of the devil in the Spanish literatur...
This paper aims to analyze how the scenic word built the devil’s image and the diabolic, in four Spa...
In several plays of Spanish exile of 1939 the devil appears as one of the characters of the plot. In...
The thesis is focused on comparison of the Magic realism with the Baroque. Common characteristics we...
«Portuguese matter» is a subject that inspired a large amount of plays of the Spanish Golden Age. Th...
Focusing on the fields of Literature, History, Law and Cultural Studies, including topics like Ideol...
Among the many authors active during the Spanish Golden Age, Juan Ruiz de Alarcón stands out for his...
El doctor Mira de Amescua is one of the lesser known dramatists of Spain's tremendously fertile Gold...
Wild figures densely populate the forests of the Baroque imagination. They appear so frequently on t...
This dissertation examines the first modernized productions of the Spanish classics, which took plac...
Our article aims at determining a scheme in order to group the main information about the merchant i...
Within the rich tradition of Spanish theater lies an unexplored dimension reflecting themes from cla...
Spanish Golden Age drama as an expression of morality falls between the extremes of art-for-art’s-sa...
This paper aims to analyze how the scenic word built the devil’s image and the diabolic, in four Spa...
Leading theatre historians and practitioners map a theatrical history that moves from the religious ...