Abstract: This paper displays the results of a survey of public music performances held during 2010 in Skopje, the capital of the Republic of Macedonia. The data concerns the number of visitors categorized by genres of music preference, age, status symbol, origin of the performers, space, and organizers. Field research included 653 musical events with a total number 545,340 visitors grouped into eight categories according to the preference of genres. The largest percentage 35 % refers to the audience of pop rock concerts with the widest age structure ranging from 10 to 55 years. The status symbol among visitors is particularly apparent when it comes to domestic and world - renowned musicians regardless of genre distribution. Yet, most vis...
International audienceMusical tastes and audiences are central themes in the sociology of arts and c...
The paper presents the factors, that affect the selection of artists for commercial and free concert...
Research Doctorate - Doctor of Philosophy (PhD)The ability to draw consumers to live music performan...
The aim of this thesis is to analyse the motivation and preferences of classical music concert atten...
In this paper I deal with the ways in which the audience functions as a means of producing collec...
The term “music” is constantly influenced by techni cal and technological dynamics which take on ne...
The general aim of this paper is to investigate the interplay of public versus private arts particip...
In this article we probe the interplay between public and private music consumption using a large-sc...
This thesis is analysing attendance at classical music concerts by young people. First, therefore th...
This paper seeks to greater understanding in the world of live music from the perspective of economi...
The general aim of this paper is to try to get at the complex dynamics of arts participation as prim...
We have chosen several types of festival (rock/pop, classic and jazz) in Scandinavian region (Sweden...
In this paper we use a social network approach to analyze audience mobility and patterns of attendan...
The purpose of this paper is to highlight the main communication channels to promote a music festiva...
The participation of audience in artistic experience, as one of the most powerful motivations to con...
International audienceMusical tastes and audiences are central themes in the sociology of arts and c...
The paper presents the factors, that affect the selection of artists for commercial and free concert...
Research Doctorate - Doctor of Philosophy (PhD)The ability to draw consumers to live music performan...
The aim of this thesis is to analyse the motivation and preferences of classical music concert atten...
In this paper I deal with the ways in which the audience functions as a means of producing collec...
The term “music” is constantly influenced by techni cal and technological dynamics which take on ne...
The general aim of this paper is to investigate the interplay of public versus private arts particip...
In this article we probe the interplay between public and private music consumption using a large-sc...
This thesis is analysing attendance at classical music concerts by young people. First, therefore th...
This paper seeks to greater understanding in the world of live music from the perspective of economi...
The general aim of this paper is to try to get at the complex dynamics of arts participation as prim...
We have chosen several types of festival (rock/pop, classic and jazz) in Scandinavian region (Sweden...
In this paper we use a social network approach to analyze audience mobility and patterns of attendan...
The purpose of this paper is to highlight the main communication channels to promote a music festiva...
The participation of audience in artistic experience, as one of the most powerful motivations to con...
International audienceMusical tastes and audiences are central themes in the sociology of arts and c...
The paper presents the factors, that affect the selection of artists for commercial and free concert...
Research Doctorate - Doctor of Philosophy (PhD)The ability to draw consumers to live music performan...