This article concentrates on the global location of production of television receivers as a case study. The aim is to see if this accords with Vernon’s international product cycle theory or whether some modifications of the theory are required. The historical evolution of the global television industry is outlined and the global pattern of demand for television sets is explored, partly to relate the location of demand to the location of television production. Production cycles involved in television manufacture and its international location are then carefully explored both for black-and-white sets and for colour television. China’s rise to become the world’s major producers of television sets is given particular attention. Conclusions...
This article focuses on how Chinese media industries have sought to expand into new territories, ide...
Critical scholarship often views media concentration as an expression of corporate capitalism: that ...
This article focuses on the production of transnational TV formats, and argues that a new business m...
This article concentrates on the global location of production of television receivers as a case stu...
Examines the international investment cycle and waves in foreign direct investment in TV production....
Locating Television: Zones of Consumption takes an important next step for television studies: it ac...
Portée par le hallyu – phénomène d’explosion des produits culturels sud-coréens qui octroie au pays ...
Thesis (PhD)--Macquarie University, Division of Society, Culture, Media and Philosophy, Department o...
Television is increasingly both global and local. Those television industries discussed in this thes...
Globalization of Asian markets has focused attention on the flow of western cultural products into A...
Zones of Consumption takes an important next step for television studies: it acknowledges the growin...
This book explores the trade in television programme formats, which is a crucially important ingredi...
C1 - Refereed Journal ArticleIn the context of the globalization of television, India and China repr...
In the context of the globalization of television, India and China represent immensely attractive ma...
Challenging assumptions that have underpinned critiques of globalization and combining cultural theo...
This article focuses on how Chinese media industries have sought to expand into new territories, ide...
Critical scholarship often views media concentration as an expression of corporate capitalism: that ...
This article focuses on the production of transnational TV formats, and argues that a new business m...
This article concentrates on the global location of production of television receivers as a case stu...
Examines the international investment cycle and waves in foreign direct investment in TV production....
Locating Television: Zones of Consumption takes an important next step for television studies: it ac...
Portée par le hallyu – phénomène d’explosion des produits culturels sud-coréens qui octroie au pays ...
Thesis (PhD)--Macquarie University, Division of Society, Culture, Media and Philosophy, Department o...
Television is increasingly both global and local. Those television industries discussed in this thes...
Globalization of Asian markets has focused attention on the flow of western cultural products into A...
Zones of Consumption takes an important next step for television studies: it acknowledges the growin...
This book explores the trade in television programme formats, which is a crucially important ingredi...
C1 - Refereed Journal ArticleIn the context of the globalization of television, India and China repr...
In the context of the globalization of television, India and China represent immensely attractive ma...
Challenging assumptions that have underpinned critiques of globalization and combining cultural theo...
This article focuses on how Chinese media industries have sought to expand into new territories, ide...
Critical scholarship often views media concentration as an expression of corporate capitalism: that ...
This article focuses on the production of transnational TV formats, and argues that a new business m...