Tarquinia Molza (1547-1617): A Case Study of Women Music and Society in the Renaissance

Tarquinia Molza (1542-1617) worked at the Este court of Ferrara in the 1580\u27s with several other women collectively referred to at the time as the concerto delle donne. The vocal virtuosity of this group of women supposedly inspired famous male composers to write madrigals featuring ornamented soprano parts that undermined the equal-voiced madrigal ideal, and paved the way for the concertante principle of the Baroque. However, contradictions and questions still surround the historical contribution of the singing Ladies of Ferrara -- questions that can be satisfyingly answered only after examining the roles of both women and men in the musical life of 16th century Italy