The visual impression of an object’s surface reflectance (‘gloss’) relies on a range of visual cues, both monocular and binocular. While previous imaging work has identified processing within ventral visual areas as important for monocular cues, little is known about cortical areas involved in processing binocular cues. Here we used human functional magnetic resonance imaging (fMRI) to test for brain areas selectively involved in the processing of binocular cues. We manipulated stereoscopic information to create four conditions that differed in their disparity structure and in the impression of surface gloss that they evoked. We performed multi-voxel pattern analysis to find areas whose fMRI responses allow classes of stimuli to be distingu...
Using event-related functional magnetic resonance imaging, we studied the activation correlating wit...
Real-life visual object recognition requires the processing of more than just geometric (shape, size...
When we look at a scene, how do we consciously see surfaces infused with lightness and color at the ...
AbstractSurface gloss is an important cue to the material properties of objects. Recent progress in ...
Three independent studies with human functional magnetic resonance imaging (fMRI) measurements were ...
Visually identifying glossy surfaces can be crucial for survival (e.g., ice patches on a road), yet ...
We conducted two fMRI experiments to clarify what cortical areas are involved in perception of surfa...
AbstractGlossiness is the visual appearance of an object's surface as defined by its surface reflect...
We carried out 2 functional magnetic resonance imaging experi-ments to investigate the cortical mech...
Reliable estimation of three-dimensional (3D) surface orientation is critical for recognizing and in...
The variation of the appearance such as gloss provides one of the most important information for obj...
We used binocular stimuli to define how the visual location of stereoscopic depth structure maps top...
How docs the visual cortex combine information from both eyes to generate perceptual representations...
AbstractHow does the visual cortex combine information from both eyes to generate perceptual represe...
Human perception is remarkably flexible: we experience vivid 3D structure under diverse conditions f...
Using event-related functional magnetic resonance imaging, we studied the activation correlating wit...
Real-life visual object recognition requires the processing of more than just geometric (shape, size...
When we look at a scene, how do we consciously see surfaces infused with lightness and color at the ...
AbstractSurface gloss is an important cue to the material properties of objects. Recent progress in ...
Three independent studies with human functional magnetic resonance imaging (fMRI) measurements were ...
Visually identifying glossy surfaces can be crucial for survival (e.g., ice patches on a road), yet ...
We conducted two fMRI experiments to clarify what cortical areas are involved in perception of surfa...
AbstractGlossiness is the visual appearance of an object's surface as defined by its surface reflect...
We carried out 2 functional magnetic resonance imaging experi-ments to investigate the cortical mech...
Reliable estimation of three-dimensional (3D) surface orientation is critical for recognizing and in...
The variation of the appearance such as gloss provides one of the most important information for obj...
We used binocular stimuli to define how the visual location of stereoscopic depth structure maps top...
How docs the visual cortex combine information from both eyes to generate perceptual representations...
AbstractHow does the visual cortex combine information from both eyes to generate perceptual represe...
Human perception is remarkably flexible: we experience vivid 3D structure under diverse conditions f...
Using event-related functional magnetic resonance imaging, we studied the activation correlating wit...
Real-life visual object recognition requires the processing of more than just geometric (shape, size...
When we look at a scene, how do we consciously see surfaces infused with lightness and color at the ...