From Literature to Film: The Eidetic Imagery in Michelangelo Antonioni and Damiano Damiani. This presentation will explore film adaptations of Hispanic literary works. Blow-Up by Michelangelo Antonioni (1966) based on the short story “The Devil’s Drool” by Julio Cortázar and Strega in Amore (1966) by Damiano Damiani based on Aura by Carlos Fuentes. In these adaptations, the search for answers will cause the main characters to be trapped in unimaginable experiences. Antonioni and Damiani change the circumstances described in the stories in order to create images depicting different perceptions. The films interpret the endings as unforeseen outcomes that are no longer in the real world but in a virtual reality. Themes and symbols will be ana...
The present work studies the formal mechanisms and meanings of metafictional discourse in the short ...
The paper leans on a movie cult from the 1960s, Blow-Up (1966) by Michelangelo Antonioni, of which a...
With the publication of the novel Manhã Submersa, writer Vergílio Ferreira highlights a clear separa...
Michelangelo Antonioni (Blow-Up, 1966) translated Julio Cortázar’s literary and visionary forms (Las...
Michelangelo Antonioni’s 1966 film Blow-Up is a masterfully constructed and paced exploration of the...
Michelangelo Antonioni (Blow-Up, 1966) traduce las formas literarias de Julio Cortázar (Las babas de...
A análise procura entender a inversão que Antonioni realiza na relação entre imagem e texto no cinem...
This dissertation is the first systematic study of Michelangelo Antonioni’s literary adaptations. Fr...
Un coup d’oeil heuristique sur le champ de l’adaptation de la littérature au cinéma montre qu’un gra...
an tangle of several questions which revolve about the experimental and therefore hybrid nature of t...
This dissertation is the first systematic study of Michelangelo Antonioni’s literary adaptations. Fr...
A análise procura entender a inversão que Antonioni realiza na relação entre imagem e texto no cinem...
With this essay, we will try to make a contrastive analysis of Julio Cortazar´s “Las babas del diabl...
Michelangelo Antonioni (Blow-Up, 1966) traduce las formas literarias de Julio Cortázar (Las babas de...
Moving prose to the screen is not a simple operation of transforming words into images and sounds. T...
The present work studies the formal mechanisms and meanings of metafictional discourse in the short ...
The paper leans on a movie cult from the 1960s, Blow-Up (1966) by Michelangelo Antonioni, of which a...
With the publication of the novel Manhã Submersa, writer Vergílio Ferreira highlights a clear separa...
Michelangelo Antonioni (Blow-Up, 1966) translated Julio Cortázar’s literary and visionary forms (Las...
Michelangelo Antonioni’s 1966 film Blow-Up is a masterfully constructed and paced exploration of the...
Michelangelo Antonioni (Blow-Up, 1966) traduce las formas literarias de Julio Cortázar (Las babas de...
A análise procura entender a inversão que Antonioni realiza na relação entre imagem e texto no cinem...
This dissertation is the first systematic study of Michelangelo Antonioni’s literary adaptations. Fr...
Un coup d’oeil heuristique sur le champ de l’adaptation de la littérature au cinéma montre qu’un gra...
an tangle of several questions which revolve about the experimental and therefore hybrid nature of t...
This dissertation is the first systematic study of Michelangelo Antonioni’s literary adaptations. Fr...
A análise procura entender a inversão que Antonioni realiza na relação entre imagem e texto no cinem...
With this essay, we will try to make a contrastive analysis of Julio Cortazar´s “Las babas del diabl...
Michelangelo Antonioni (Blow-Up, 1966) traduce las formas literarias de Julio Cortázar (Las babas de...
Moving prose to the screen is not a simple operation of transforming words into images and sounds. T...
The present work studies the formal mechanisms and meanings of metafictional discourse in the short ...
The paper leans on a movie cult from the 1960s, Blow-Up (1966) by Michelangelo Antonioni, of which a...
With the publication of the novel Manhã Submersa, writer Vergílio Ferreira highlights a clear separa...