This article analyzes the intricate relation between art and memory in post-Soviet Estonia and shows how art can shift the boundaries between remembrance and forgetting. The article also investigates the use of photography and video as mediums of memory and analyzes some works of art that address the issues of collective memory. The main purpose of this article is to explore different strategies through which memory reveals itself in art.Este artículo analiza la intrincada relación entre el arte y la memoria en la época post-soviética de Estonia y muestra cómo el arte puede cambiar los límites entre el recuerdo y el olvido. El artículo también investiga el uso de la fotografía y el vídeo como medios de memoria y analiza algunas obras de art...
The article discusses Estonian memory theatre in the 1970s-90s and at the beginning of the twenty-fi...
This practice research responds to the need to reflect on the Stalinist legacy in Kazakhstan, a post...
The article focuses on (re)constructing the local memorial landscape in a post-Soviet military base ...
MEMORY RELATED APPROACHES IN CONTEMPORARY ART IN THE CONTEXT OF FORGETTING AND REMEMBERING Supervi...
What happens to legacies that do not find any continuation? In Estonia, a new generation that does n...
Straipsnyje apžvelgiama teorinio kolektyvinės atminties diskurso raida ir jo kontekste nagrinėjamos ...
Estonian art life changed radically at the beginning of 1990s,especially with regards to organisatio...
In this article I deal with the first extensive and comprehensive permanent exhibition of Estonian f...
The article discusses the location of memory and its relations with perception in contemporary art, ...
This article analyses the forms of cultural memory (storage and functio- nal memory) relying on the ...
Keywords: collective memory, cultural memory, memory studies, mnemohistory. This article outlines s...
This article analyzes the politics of memory around the Estonian government's decision to relocate T...
Defence date: 30 June 2016Examining Board: Professor Pavel Kolár (EUI) - Supervisor; Professor Alexa...
The article consists of two parts. The first part (§§ 1–2) investigates the indiscriminate and absol...
The focus of this article is on nostalgia as it appears in the representations of home-decoration in...
The article discusses Estonian memory theatre in the 1970s-90s and at the beginning of the twenty-fi...
This practice research responds to the need to reflect on the Stalinist legacy in Kazakhstan, a post...
The article focuses on (re)constructing the local memorial landscape in a post-Soviet military base ...
MEMORY RELATED APPROACHES IN CONTEMPORARY ART IN THE CONTEXT OF FORGETTING AND REMEMBERING Supervi...
What happens to legacies that do not find any continuation? In Estonia, a new generation that does n...
Straipsnyje apžvelgiama teorinio kolektyvinės atminties diskurso raida ir jo kontekste nagrinėjamos ...
Estonian art life changed radically at the beginning of 1990s,especially with regards to organisatio...
In this article I deal with the first extensive and comprehensive permanent exhibition of Estonian f...
The article discusses the location of memory and its relations with perception in contemporary art, ...
This article analyses the forms of cultural memory (storage and functio- nal memory) relying on the ...
Keywords: collective memory, cultural memory, memory studies, mnemohistory. This article outlines s...
This article analyzes the politics of memory around the Estonian government's decision to relocate T...
Defence date: 30 June 2016Examining Board: Professor Pavel Kolár (EUI) - Supervisor; Professor Alexa...
The article consists of two parts. The first part (§§ 1–2) investigates the indiscriminate and absol...
The focus of this article is on nostalgia as it appears in the representations of home-decoration in...
The article discusses Estonian memory theatre in the 1970s-90s and at the beginning of the twenty-fi...
This practice research responds to the need to reflect on the Stalinist legacy in Kazakhstan, a post...
The article focuses on (re)constructing the local memorial landscape in a post-Soviet military base ...