During the 17th and 18th centuries, several constructions of polychromatic marbles were erected in the region of Murcia. Once again, they come to confirm the importance of these kind of works during the Hispanic Baroque. The influence of neighbouring regions such as Levant and Andalusia and, doubtless, the existence of quarries in the region, particularly in the mountainous North-Western zone, may well explain these marble works. It is just at those Northern areas where some of the most significant specimens are located, being the main front of Santa Cruz [Holy Cross] of Caravaca a major example of them. As the capital of the ancient kingdom and main religious center, the city of Murcia ulso has several fine works, which distinguish themsel...
A series of unpublished documents concerning the facture of the main retable in St. Peter's church i...
Beside certain pure and peculiar characteristics, the urge for decoration amot~g them, the Andalusia...
An interesting and unknown chapter of the persistence of the baroque style in the Spanish architectu...
The baroque churches of the city of Murcia represent a crucial chapter of his historical legacy. Too...
The well-known circulation of the products of Cordoba's silversmiths in other regions of Spain also ...
The art of grille-work in Murcia offers a number of aspects still to be discovered. Although the imp...
This paper has studied the collection of silver reliquaries which are conserved in the Cathedral of'...
The beginning of the 17th century witnessed the predominance in the Baroque of Lorca, particularly w...
Master Nicolás de Rueda, whose activity is documented between 1728 and 1755, played a capital role i...
This paper concerns the study, in a local Murcian context, of the development and importante of text...
The Bishop's Palace in Murcia is one of the few 18th century Spanish Baroque monuments which conserv...
To Córdoba, the XVIIth century represents a stage of splnidour as far as regards retablemaking activ...
The studio is base don the affidavits of Murcia (first quarter of XVIII ceniury), specifically on th...
Decorations based on inlaid polychrome marbles are a distinctive element of the East Andalusian Baro...
The monastery of Carmelites of Murcia. settled down in the old quorter of San Benito (presently del ...
A series of unpublished documents concerning the facture of the main retable in St. Peter's church i...
Beside certain pure and peculiar characteristics, the urge for decoration amot~g them, the Andalusia...
An interesting and unknown chapter of the persistence of the baroque style in the Spanish architectu...
The baroque churches of the city of Murcia represent a crucial chapter of his historical legacy. Too...
The well-known circulation of the products of Cordoba's silversmiths in other regions of Spain also ...
The art of grille-work in Murcia offers a number of aspects still to be discovered. Although the imp...
This paper has studied the collection of silver reliquaries which are conserved in the Cathedral of'...
The beginning of the 17th century witnessed the predominance in the Baroque of Lorca, particularly w...
Master Nicolás de Rueda, whose activity is documented between 1728 and 1755, played a capital role i...
This paper concerns the study, in a local Murcian context, of the development and importante of text...
The Bishop's Palace in Murcia is one of the few 18th century Spanish Baroque monuments which conserv...
To Córdoba, the XVIIth century represents a stage of splnidour as far as regards retablemaking activ...
The studio is base don the affidavits of Murcia (first quarter of XVIII ceniury), specifically on th...
Decorations based on inlaid polychrome marbles are a distinctive element of the East Andalusian Baro...
The monastery of Carmelites of Murcia. settled down in the old quorter of San Benito (presently del ...
A series of unpublished documents concerning the facture of the main retable in St. Peter's church i...
Beside certain pure and peculiar characteristics, the urge for decoration amot~g them, the Andalusia...
An interesting and unknown chapter of the persistence of the baroque style in the Spanish architectu...