The σκηνή-building in the fragments of tragic authors before the Oresteia (458 BC). This paper is concerned with the oftendenied existence of the σκηνή-building before ca. 458 BC. as evidenced by the fragments of tragedies and satyr plays written before that date and by vascular paintings dealing with early dramas
This chapter explores the significance of the Black Sea region within the cultural imagination of At...
This paper provides two new fragments of Epicharmus that had hitherto passed unnoticed to the editor...
In this paper I outline a revision of greek music development, with special regard to Euripides and ...
The σκηνή-building in the fragments of tragic authors before the Oresteia (458 BC). This paper is co...
When quoting from satyr dramas, ancient sources were not always consistent in indicating...
Of the Péliades, the earliest tragedy by Euripides, staged in 455 BC, neither testimonies nor the fr...
Except for the pseudo-Euripidean Rhesus, fourth-century tragedy has almost entirely been lost to the...
We know a lot less about theatre production (tragedy, comedy and satyrical drama) during the 4th and...
La tragédie du quatrième siècle fut considérée depuis l’antiquité comme une phase de décadence du ge...
This dissertation analyzes Old Comedy’s generic interaction with its primary performative rivals of ...
Sophocles and Satyric drama. The publication, between 1912 and 1956, of important fragments through ...
It was the purpose of this study (1) to discover the similarities and dissimilarities in three ancie...
Dramatic actions are a very interesting field for the study of 'submerged literature', that is the c...
Ancient evidence suggests that it is as likely that the fifth-century satyr-play was performed at th...
This work is the first full-length study of the dissemination of Greek tragedy in the earliest perio...
This chapter explores the significance of the Black Sea region within the cultural imagination of At...
This paper provides two new fragments of Epicharmus that had hitherto passed unnoticed to the editor...
In this paper I outline a revision of greek music development, with special regard to Euripides and ...
The σκηνή-building in the fragments of tragic authors before the Oresteia (458 BC). This paper is co...
When quoting from satyr dramas, ancient sources were not always consistent in indicating...
Of the Péliades, the earliest tragedy by Euripides, staged in 455 BC, neither testimonies nor the fr...
Except for the pseudo-Euripidean Rhesus, fourth-century tragedy has almost entirely been lost to the...
We know a lot less about theatre production (tragedy, comedy and satyrical drama) during the 4th and...
La tragédie du quatrième siècle fut considérée depuis l’antiquité comme une phase de décadence du ge...
This dissertation analyzes Old Comedy’s generic interaction with its primary performative rivals of ...
Sophocles and Satyric drama. The publication, between 1912 and 1956, of important fragments through ...
It was the purpose of this study (1) to discover the similarities and dissimilarities in three ancie...
Dramatic actions are a very interesting field for the study of 'submerged literature', that is the c...
Ancient evidence suggests that it is as likely that the fifth-century satyr-play was performed at th...
This work is the first full-length study of the dissemination of Greek tragedy in the earliest perio...
This chapter explores the significance of the Black Sea region within the cultural imagination of At...
This paper provides two new fragments of Epicharmus that had hitherto passed unnoticed to the editor...
In this paper I outline a revision of greek music development, with special regard to Euripides and ...