In 2014,an SMPTE report stated that sound consistency between dubbing stages and performance venues was not respected. SMPTE technical commission studied this issue in 3 commercial cinemasand 3 dubbing stages in Hollywood using the impulse response method. This lack in sound consistency isprobablyimputable to the useof a wrong calibration system (RTA + Pink Noise Method) that is time-blind and does not mimicthe perceptual listening of the human being.A campaign of measurements has been conducted in Rome to test the acousticpropertiesof a dubbing stage room and a cinemaperformanceroom.Two measurement systems were implemented: One for the extraction of ISO 3382 parameters (Omni, Bin...
In order to find a possible correlation of objective parameters and subjective descriptors of the ac...
The definition and measurement of sound spatialisation have been strongly enhanced in last years, as...
For over five decades after the introduction of ‘talking movies’, the soundtracks of fi...
In 2014,an SMPTE report stated that sound consistency between dubbing stages and performance venues...
The cinema Lux is one of the most relevant cinemas in Rome. It is located in the historical city cen...
The definition and measurement of 3D properties of the sound field has been strongly improved in las...
The analysis of the sound field’s 3D properties has been strongly improved in recent years, after sp...
none2noThe analysis of the sound field’s 3D properties has been strongly improved in recent years, a...
The use of third-octave-band equalisation for 'rom' correction and other compensations in cinema stu...
1) Background to the proposals The cinema industry standards for the calibration of both commercial ...
The current strategies for the low-frequency calibration of cinema sound systems are based on a flaw...
The analysis of the sound field’s 3D properties has been strongly improved in recent years, after sp...
none2The definition and measurement of sound spatialisation have been strongly enhanced in last year...
This paper continues the investigation into the current poor state of sound in cinemas. Specifically...
Abstract: The definition and measurement of sound spatialisation have been strongly enhanced in last...
In order to find a possible correlation of objective parameters and subjective descriptors of the ac...
The definition and measurement of sound spatialisation have been strongly enhanced in last years, as...
For over five decades after the introduction of ‘talking movies’, the soundtracks of fi...
In 2014,an SMPTE report stated that sound consistency between dubbing stages and performance venues...
The cinema Lux is one of the most relevant cinemas in Rome. It is located in the historical city cen...
The definition and measurement of 3D properties of the sound field has been strongly improved in las...
The analysis of the sound field’s 3D properties has been strongly improved in recent years, after sp...
none2noThe analysis of the sound field’s 3D properties has been strongly improved in recent years, a...
The use of third-octave-band equalisation for 'rom' correction and other compensations in cinema stu...
1) Background to the proposals The cinema industry standards for the calibration of both commercial ...
The current strategies for the low-frequency calibration of cinema sound systems are based on a flaw...
The analysis of the sound field’s 3D properties has been strongly improved in recent years, after sp...
none2The definition and measurement of sound spatialisation have been strongly enhanced in last year...
This paper continues the investigation into the current poor state of sound in cinemas. Specifically...
Abstract: The definition and measurement of sound spatialisation have been strongly enhanced in last...
In order to find a possible correlation of objective parameters and subjective descriptors of the ac...
The definition and measurement of sound spatialisation have been strongly enhanced in last years, as...
For over five decades after the introduction of ‘talking movies’, the soundtracks of fi...