Add to ORKGHow does one communicate creative research across a diverse intellectual landscape? Does such work lodge itself uncomfortably in the margins – part scholarship, part creative practice? This paper describes creative research on marginal areas in the city called Disturbing Landscapes. It seeks to integrate scholarly interpretations of the significance of marginal landscapes with personal engagements with such places through creative writing
Situating myself as a visual artist with a multi-modal practice, this article will explore the relat...
A margin is defined relative to something else. A ruled line. A body of text on a page. The margins ...
Looking at the idea of how writers are connected to space, place, and land, especially within the co...
How does one communicate creative research across a diverse intellectual landscape? Does such work l...
This paper is a critical reflection on the experience of completing a PhD at a regional campus of a ...
This issue of Writingplace Journal, Reading(s) and Writing(s), focuses on the complex process of wri...
This paper emerges from a project conducted between academics in literary studies and geography that...
This article demonstrates how, through our conversations about holding dialogues in the margins of s...
Despite the intention to legitimise creative arts research methodologies within academia, undercurre...
This paper focuses on creative writing and considers how we might write across and beyond boundaries...
In this paper, I explore the artist as a writer and what happens when writing becomes a larger, esse...
Design has become a global activity dominated by one set of cultural interests to produce a consiste...
This PhD by Publication (Route 2) brings together a series of three books of which I am the sole aut...
Forces That Shape Specific Research Questions The Combination of Pure and Applied Interplay between ...
This thesis investigates how creative-critical practice, predicated on the writing of new poetry, op...
Situating myself as a visual artist with a multi-modal practice, this article will explore the relat...
A margin is defined relative to something else. A ruled line. A body of text on a page. The margins ...
Looking at the idea of how writers are connected to space, place, and land, especially within the co...
How does one communicate creative research across a diverse intellectual landscape? Does such work l...
This paper is a critical reflection on the experience of completing a PhD at a regional campus of a ...
This issue of Writingplace Journal, Reading(s) and Writing(s), focuses on the complex process of wri...
This paper emerges from a project conducted between academics in literary studies and geography that...
This article demonstrates how, through our conversations about holding dialogues in the margins of s...
Despite the intention to legitimise creative arts research methodologies within academia, undercurre...
This paper focuses on creative writing and considers how we might write across and beyond boundaries...
In this paper, I explore the artist as a writer and what happens when writing becomes a larger, esse...
Design has become a global activity dominated by one set of cultural interests to produce a consiste...
This PhD by Publication (Route 2) brings together a series of three books of which I am the sole aut...
Forces That Shape Specific Research Questions The Combination of Pure and Applied Interplay between ...
This thesis investigates how creative-critical practice, predicated on the writing of new poetry, op...
Situating myself as a visual artist with a multi-modal practice, this article will explore the relat...
A margin is defined relative to something else. A ruled line. A body of text on a page. The margins ...
Looking at the idea of how writers are connected to space, place, and land, especially within the co...