This article takes a serious leisure perspective to examine the costs associated with career volunteering in DIY heritage institutions focused on the collection, preservation and curation of popular music’s past. While the rewards of serious leisure have been analysed extensively in the literature, costs are addressed less frequently. Moreover, Stebbins’ framing of costs has been critiqued as ambiguous and underdeveloped. In this article, we draw on Stebbins’ tripartite model of tensions, dislikes and disappointments to analyse costs that emerged from ethnographic interviews undertaken with volunteers in 13 DIY popular music heritage institutions. Types of costs included tensions that were interpersonal, relational, financial, temporal (wor...
This article presents some notes towards identifying what we have come to call 'DIY institutions': p...
This paper presents results from an exploratory study that is framed by serious leisure theory and i...
While cultural heritage institutions increasingly use participatory events to draw in new audiences,...
In recent decades, the heritage sector has become increasingly precarious amid the rise of austerity...
Community-based, do-it-yourself (DIY) archives and museums of popular music are cultural institution...
The growing number of volunteers in the heritage sector indicates a desire for a leisure experience ...
Do-it-yourself (DIY) and community-based efforts to preserve popular music heritage often take place...
This article discusses the nature of volunteering by exploring the features of the exchanges involve...
The nature of volunteerism and its significant role in sustaining heritage organisations is a perenn...
This qualitative study examines the production of cultural memory within current or recently active...
The value of volunteering is well documented, and though there is a readily available recruitment p...
Within the Australian tourism industry, the prominent use of volunteers occurs in museums and art mu...
Purpose - This paper seeks to provide an insight into the recruitment and selection of volunteers in...
This article examines the challenges of sustainability faced by community archives and museums that ...
Volunteering within cultural heritage settings is a subject of growing interest. Research to date ha...
This article presents some notes towards identifying what we have come to call 'DIY institutions': p...
This paper presents results from an exploratory study that is framed by serious leisure theory and i...
While cultural heritage institutions increasingly use participatory events to draw in new audiences,...
In recent decades, the heritage sector has become increasingly precarious amid the rise of austerity...
Community-based, do-it-yourself (DIY) archives and museums of popular music are cultural institution...
The growing number of volunteers in the heritage sector indicates a desire for a leisure experience ...
Do-it-yourself (DIY) and community-based efforts to preserve popular music heritage often take place...
This article discusses the nature of volunteering by exploring the features of the exchanges involve...
The nature of volunteerism and its significant role in sustaining heritage organisations is a perenn...
This qualitative study examines the production of cultural memory within current or recently active...
The value of volunteering is well documented, and though there is a readily available recruitment p...
Within the Australian tourism industry, the prominent use of volunteers occurs in museums and art mu...
Purpose - This paper seeks to provide an insight into the recruitment and selection of volunteers in...
This article examines the challenges of sustainability faced by community archives and museums that ...
Volunteering within cultural heritage settings is a subject of growing interest. Research to date ha...
This article presents some notes towards identifying what we have come to call 'DIY institutions': p...
This paper presents results from an exploratory study that is framed by serious leisure theory and i...
While cultural heritage institutions increasingly use participatory events to draw in new audiences,...