The chapter will explore the challenges and benefits of teaching free improvisation in an under-graduate context but in doing so will consider fundamental questions about what music is and what it can achieve. The chapter will interpolate remarks attributed to one of the three authors where they have something to contribute that may not necessarily reflect a commonly-held perspective. This is the nature of free improvisation: contested, and able to be applied to various outcomes and ways of thinking. The context of this chapter is a module of free improvisation approximately half a semester in length delivered for many years to the first-year cohort of Bachelor of Music students at Western Sydney University
Previously conducted research has contributed to a prevalent view that the study of improvisation is...
While improvisation in music education settings is widely endorsed as an approach to music-making, r...
Free Improvisation Pedagogy explores the changing perspectives of students as they co-create musical...
Based on the fundamental question Is free improvisation a musical genre , this presentation, will in...
Based on the fundamental question Is free improvisation a musical genre , this presentation, will in...
This paper1 explores firstly the sense in which improvisation might be conceived of as an informal m...
The ability to improvise is at the core of the skillset of the contemporary popular musician. Beyond...
The factors that motivate some improvising musicians to teach include the music’s profound ethical d...
This paper explores firstly the sense in which improvisation might be conceived of as an informal mu...
The Basel Musik Akademie and the Conservatoire National de Paris are two institutions where free imp...
The Basel Musik Akademie and the Conservatoire National de Paris are two institutions where free imp...
© 2012 Mark Fairlie DipnallImprovisation has been an integral component of music practice throughout...
The concern of this chapter is the pedagogical value of technology-based improvisation in University...
Improvisation is a central part of many contemporary musicians’ practices – from developing an accom...
As music majors at universities, students often spend hours a day focused on improving their musical...
Previously conducted research has contributed to a prevalent view that the study of improvisation is...
While improvisation in music education settings is widely endorsed as an approach to music-making, r...
Free Improvisation Pedagogy explores the changing perspectives of students as they co-create musical...
Based on the fundamental question Is free improvisation a musical genre , this presentation, will in...
Based on the fundamental question Is free improvisation a musical genre , this presentation, will in...
This paper1 explores firstly the sense in which improvisation might be conceived of as an informal m...
The ability to improvise is at the core of the skillset of the contemporary popular musician. Beyond...
The factors that motivate some improvising musicians to teach include the music’s profound ethical d...
This paper explores firstly the sense in which improvisation might be conceived of as an informal mu...
The Basel Musik Akademie and the Conservatoire National de Paris are two institutions where free imp...
The Basel Musik Akademie and the Conservatoire National de Paris are two institutions where free imp...
© 2012 Mark Fairlie DipnallImprovisation has been an integral component of music practice throughout...
The concern of this chapter is the pedagogical value of technology-based improvisation in University...
Improvisation is a central part of many contemporary musicians’ practices – from developing an accom...
As music majors at universities, students often spend hours a day focused on improving their musical...
Previously conducted research has contributed to a prevalent view that the study of improvisation is...
While improvisation in music education settings is widely endorsed as an approach to music-making, r...
Free Improvisation Pedagogy explores the changing perspectives of students as they co-create musical...