In recent years I and my co-editor Jessica Milner Davis have been in our ways pursuing the goal of love and truth, as we have worked on a multi-disciplinary study of Chinese humour. This has so far produced one volume: Humour in Chinese Life and Letters: Classical and Traditional Approaches.2 This volume covers classical and traditional aspects of humour, with contributions from scholars in literature, Chinese medicine and history. Volume two (forthcoming) takes up the story in the Republican period and follows through to the present day.3 It looks at humour in literature, media, film, cartoons, advertising, education, applied psychology, propaganda, politics and Internet humour, and concludes with reflections on humour in China from the co...
My PhD study explores humour in British academic lectures and Chinese students' perceptions of it. T...
This paper is a corpus study on humor in discourse of the film, Crazy Stone (疯狂的石头). Three levels of...
This is an electronic version of an article published in Textual Practice. © Copyright 1999 Taylor &...
Humor in recorded Chinese literature and philosophy can be traced back for at least 3,000 years to t...
Literary history, as established in 20th century China, mostly believed that Confucian conservatism ...
The chapter aims to critically introduce the concept of humour and discourses around it in China at ...
Taking British cultural studies as its point of departure, this thesis seeks to discover the cultura...
Santangelo, Paulo (ed.). 2012.Laughing in Chinese.Rome: Aracne Editrice. 472pp. €26. ISBN...
A beguiling world informed by a distinctive sense of the comic is opened to Western readers in this ...
This chapter examines the emerging comedy film culture in the early People’s Republic of China (PRC)...
Queries into the dynamics of dominance and resistance in the discursive realm have been at the core ...
The aim of the article is to analyze the concept of humor in lin Yutang’s writing “My Country and M...
Jokes were considered low and insignificant in traditional Chinese literature. Ssu-shu hsiao is witt...
In this empirical investigation into modern Chinese humour, the author explores the mechanisms of co...
Comedy film in the early Mao era is a site of negotiation and contestation. The ephemeral presence o...
My PhD study explores humour in British academic lectures and Chinese students' perceptions of it. T...
This paper is a corpus study on humor in discourse of the film, Crazy Stone (疯狂的石头). Three levels of...
This is an electronic version of an article published in Textual Practice. © Copyright 1999 Taylor &...
Humor in recorded Chinese literature and philosophy can be traced back for at least 3,000 years to t...
Literary history, as established in 20th century China, mostly believed that Confucian conservatism ...
The chapter aims to critically introduce the concept of humour and discourses around it in China at ...
Taking British cultural studies as its point of departure, this thesis seeks to discover the cultura...
Santangelo, Paulo (ed.). 2012.Laughing in Chinese.Rome: Aracne Editrice. 472pp. €26. ISBN...
A beguiling world informed by a distinctive sense of the comic is opened to Western readers in this ...
This chapter examines the emerging comedy film culture in the early People’s Republic of China (PRC)...
Queries into the dynamics of dominance and resistance in the discursive realm have been at the core ...
The aim of the article is to analyze the concept of humor in lin Yutang’s writing “My Country and M...
Jokes were considered low and insignificant in traditional Chinese literature. Ssu-shu hsiao is witt...
In this empirical investigation into modern Chinese humour, the author explores the mechanisms of co...
Comedy film in the early Mao era is a site of negotiation and contestation. The ephemeral presence o...
My PhD study explores humour in British academic lectures and Chinese students' perceptions of it. T...
This paper is a corpus study on humor in discourse of the film, Crazy Stone (疯狂的石头). Three levels of...
This is an electronic version of an article published in Textual Practice. © Copyright 1999 Taylor &...