Add to ORKGThe images from Abu Ghraib are images of horror: the horror of torture, and the horror of war. For audiences in the West, I want to argue, they are also horror images, that is, images in the genre of horror. This is crucial in explaining both their affective powers upon the viewer and their widespread media prolification
Thus, my main interest here is in what images of horror produce. What happens to reason when confron...
This practice-led research explores what I have come to term ‘cruel images’, and how to treat them ...
This essay investigates whether the 'trauma paradigm' that has emerged in cultural theory is adequat...
A significant social and cultural crisis is concentrated through photographs taken by military warde...
textThis paper discusses the publication and public consumption of digital photographs made by membe...
On April 38,2004, disturbing photographs capturing the abuse of Iraqi prisoners by American soldiers...
In 2004, pictures of U.S. military personnel abusing detainees of the Abu Ghraib prison came to publ...
The focus of this essay is on the visual conditions of possibility that underpin the Abu Ghraib tort...
This paper examines two episodes within visual culture that occurred in the months following the inv...
This essay discusses the dissemination of atrocity images in contemporary mass media, from the photo...
This essay offers an explanation of the development and the long-term cultural impact of the Abu Ghr...
The research objective for this thesis are two problematic yet interweaving occurrences observed in ...
This paper offers a broad historical overview of the ideology and cultural roots of horror films. Th...
This article analyses an example of war footage in order to trace the ways in which the tension betw...
How do documentary and artistic photographic representations of the Holocaust and the Rwandan genoci...
Thus, my main interest here is in what images of horror produce. What happens to reason when confron...
This practice-led research explores what I have come to term ‘cruel images’, and how to treat them ...
This essay investigates whether the 'trauma paradigm' that has emerged in cultural theory is adequat...
A significant social and cultural crisis is concentrated through photographs taken by military warde...
textThis paper discusses the publication and public consumption of digital photographs made by membe...
On April 38,2004, disturbing photographs capturing the abuse of Iraqi prisoners by American soldiers...
In 2004, pictures of U.S. military personnel abusing detainees of the Abu Ghraib prison came to publ...
The focus of this essay is on the visual conditions of possibility that underpin the Abu Ghraib tort...
This paper examines two episodes within visual culture that occurred in the months following the inv...
This essay discusses the dissemination of atrocity images in contemporary mass media, from the photo...
This essay offers an explanation of the development and the long-term cultural impact of the Abu Ghr...
The research objective for this thesis are two problematic yet interweaving occurrences observed in ...
This paper offers a broad historical overview of the ideology and cultural roots of horror films. Th...
This article analyses an example of war footage in order to trace the ways in which the tension betw...
How do documentary and artistic photographic representations of the Holocaust and the Rwandan genoci...
Thus, my main interest here is in what images of horror produce. What happens to reason when confron...
This practice-led research explores what I have come to term ‘cruel images’, and how to treat them ...
This essay investigates whether the 'trauma paradigm' that has emerged in cultural theory is adequat...