The commentary by Cross and Rohrmeier (2007) attempts to locate our paper (Bailes and Dean, 2007a) as a study of timbre, and points out the ongoing development of research in this area, including attempts to define psychoacoustic thresholds of perception. However, our work is directed to understanding broader psychological phenomena such as the impact of sound duration on the perception of structure in computer music, and the concordance between real-time and retrospective measures. We discuss further our identification of an asymmetrical detection of sound segmentation, questioning the conceptual distinctions of timbre perception that Cross and Rohrmeier propose
The thesis deals with the issues of timbre which has been for a long time neglected by music theory ...
This paper presents the interim findings of a series of listening tests designed i) to test the exte...
The perception of a composite sound's temporal cues, like synchronous onsets, is considered essentia...
Although the study by Bailes & Dean (2007) addresses an underresearched area of auditory and musica...
ABSTRACT: Although the study by Bailes & Dean (2007) addresses an under-researched area of audi...
We examined the impact of listening context (sound duration and prior presentation) on the human per...
We examined the impact of listening context (sound duration and prior presentation) on the human pe...
We confirm our earlier observations (Bailes & Dean, 2005) that listeners can efficiently detect segm...
We carried out two experiments to test the relationship between real-time perception of structural c...
The controlled manipulation of digitally generated sound in computer music affords new opportunities...
I propose a dissertation that examines the psychoacoustic bases of the perception of music by human ...
Presented at the 20th International Conference on Auditory Display (ICAD2014), June 22-25, 2014, New...
International audienceAlthough extensively studied for many years, defining the timbre of musical so...
The perceptual structure of music is a fundamental issue in music psychology that can be systematic...
This project started with the observation that we manage to recognize a song by listening to only a ...
The thesis deals with the issues of timbre which has been for a long time neglected by music theory ...
This paper presents the interim findings of a series of listening tests designed i) to test the exte...
The perception of a composite sound's temporal cues, like synchronous onsets, is considered essentia...
Although the study by Bailes & Dean (2007) addresses an underresearched area of auditory and musica...
ABSTRACT: Although the study by Bailes & Dean (2007) addresses an under-researched area of audi...
We examined the impact of listening context (sound duration and prior presentation) on the human per...
We examined the impact of listening context (sound duration and prior presentation) on the human pe...
We confirm our earlier observations (Bailes & Dean, 2005) that listeners can efficiently detect segm...
We carried out two experiments to test the relationship between real-time perception of structural c...
The controlled manipulation of digitally generated sound in computer music affords new opportunities...
I propose a dissertation that examines the psychoacoustic bases of the perception of music by human ...
Presented at the 20th International Conference on Auditory Display (ICAD2014), June 22-25, 2014, New...
International audienceAlthough extensively studied for many years, defining the timbre of musical so...
The perceptual structure of music is a fundamental issue in music psychology that can be systematic...
This project started with the observation that we manage to recognize a song by listening to only a ...
The thesis deals with the issues of timbre which has been for a long time neglected by music theory ...
This paper presents the interim findings of a series of listening tests designed i) to test the exte...
The perception of a composite sound's temporal cues, like synchronous onsets, is considered essentia...