This paper explores the visual and theoretical components of artistled initiatives in Sydney, Australia. The Sydney alternative arts and performance scenes have been operating as a system of unofficial venues. Many artists and musicians etch out an existence in dissident spaces, away from the norms of the commodified licensed venue experience. These irregular venues are not purpose built spaces and consist of a range of warehouses, lounge rooms and revalorised buildings within Sydney. My research utilises photography to capture these temporal spaces as they shift, relocate and reform in the face of imminent closure or exposure
Independent music is a complex concept. It has meant different things at different historical moment...
This practice-led inquiry investigates concepts and practices of projection-mapping light images ont...
Large-scale projections onto urban architecture are an increasingly established form of public art, ...
Sydney’s alternative sector and the management of commercial performance spaces have had a turbulent...
Sydney’s alternative sector and the management of commercial performance spaces has had a turbulent ...
This practice-based thesis explores what might be discovered about a city’s being, through a phenome...
Successful creative activities are generally supported by an enabling ecology. For the informal crea...
This article examines the modes of emergence of "the local" in particular collaborative art projects...
Artists and creative workers have long been recognized as playing an important role in gentrificatio...
In recent years, a vibrant literature on urban informality has emerged in urban geography. A key cla...
This project is concerned with new modes of ephemeral, relational practice for the Australian publi...
Within the broader context of urban renewal in Newcastle NSW, this paper considers the importance of...
The acknowledged practice of ephemera, most active since the 1960s, and the unacknowledged omission ...
This research is based on reflexive practice as a subject librarian for visual art, concerned with r...
Large-scale projections onto urban architecture are an increasingly established form of public art, ...
Independent music is a complex concept. It has meant different things at different historical moment...
This practice-led inquiry investigates concepts and practices of projection-mapping light images ont...
Large-scale projections onto urban architecture are an increasingly established form of public art, ...
Sydney’s alternative sector and the management of commercial performance spaces have had a turbulent...
Sydney’s alternative sector and the management of commercial performance spaces has had a turbulent ...
This practice-based thesis explores what might be discovered about a city’s being, through a phenome...
Successful creative activities are generally supported by an enabling ecology. For the informal crea...
This article examines the modes of emergence of "the local" in particular collaborative art projects...
Artists and creative workers have long been recognized as playing an important role in gentrificatio...
In recent years, a vibrant literature on urban informality has emerged in urban geography. A key cla...
This project is concerned with new modes of ephemeral, relational practice for the Australian publi...
Within the broader context of urban renewal in Newcastle NSW, this paper considers the importance of...
The acknowledged practice of ephemera, most active since the 1960s, and the unacknowledged omission ...
This research is based on reflexive practice as a subject librarian for visual art, concerned with r...
Large-scale projections onto urban architecture are an increasingly established form of public art, ...
Independent music is a complex concept. It has meant different things at different historical moment...
This practice-led inquiry investigates concepts and practices of projection-mapping light images ont...
Large-scale projections onto urban architecture are an increasingly established form of public art, ...