Three experiments examined children's knowledge of harmony in Western music. The children heard a series of chords followed by a final, target chord. In Experiment 1, French 6- and 11-year-olds judged whether the target was sung with the vowel /i/ or /u/. In Experiment 2, Australian 8- and 11-year-olds judged whether the target was played on a piano or a trumpet. In Experiment 3, Canadian 8- and 11-year-olds judged whether the target sounded good (i.e. consonant) or bad (dissonant). The target was either the most stable chord in the established musical key (i.e. the tonic, based on do, the first note of the scale) or a less stable chord. Performance was faster (Experiments 1, 2 and 3) and more accurate (Experiment 3) when the target was the...
Humans readily form musical inference: upon hearing a Blackfoot lullaby, a Korean listener is far mo...
This article tries to answer two related questions: (i) what do children hear while listening to and...
In the laboratory, musical novices often seem insensitive even to basic structural elements of music...
International audienceWe used implicit and explicit tasks to measure knowledge of Western harmony in...
We investigated the role of key membership and implied harmony in adults ' and children's ...
In the present research we examined the development ofsensitivity to two musical relations signifi-c...
The purpose of this study was to determine if preschool children, specifically three- and four-year ...
Implicit knowledge of the rules governing music structure in any given culture is acquired through e...
Even adults with no formal music lessons have implicit musical knowledge acquired through exposure t...
In this study, we investigated an aspect of enculturation of music by examining the cognitive abilit...
Contemporary music education philosophy stresses the improtance of an aesthetic response to music an...
Music is a basic and ubiquitous socio-cognitive domain. However, our understanding of the time cours...
AbstractMusic is a basic and ubiquitous socio-cognitive domain. However, our understanding of the ti...
Examined the development of sensitivity to 2 musical relations significant in Western tonal music, t...
It has been argued that children implicitly acquire the rules relating to the structure of music in ...
Humans readily form musical inference: upon hearing a Blackfoot lullaby, a Korean listener is far mo...
This article tries to answer two related questions: (i) what do children hear while listening to and...
In the laboratory, musical novices often seem insensitive even to basic structural elements of music...
International audienceWe used implicit and explicit tasks to measure knowledge of Western harmony in...
We investigated the role of key membership and implied harmony in adults ' and children's ...
In the present research we examined the development ofsensitivity to two musical relations signifi-c...
The purpose of this study was to determine if preschool children, specifically three- and four-year ...
Implicit knowledge of the rules governing music structure in any given culture is acquired through e...
Even adults with no formal music lessons have implicit musical knowledge acquired through exposure t...
In this study, we investigated an aspect of enculturation of music by examining the cognitive abilit...
Contemporary music education philosophy stresses the improtance of an aesthetic response to music an...
Music is a basic and ubiquitous socio-cognitive domain. However, our understanding of the time cours...
AbstractMusic is a basic and ubiquitous socio-cognitive domain. However, our understanding of the ti...
Examined the development of sensitivity to 2 musical relations significant in Western tonal music, t...
It has been argued that children implicitly acquire the rules relating to the structure of music in ...
Humans readily form musical inference: upon hearing a Blackfoot lullaby, a Korean listener is far mo...
This article tries to answer two related questions: (i) what do children hear while listening to and...
In the laboratory, musical novices often seem insensitive even to basic structural elements of music...