This study investigated cognitive and emotional effects of syncopation, a feature of musical rhythm that produces expectancy violations in the listener by emphasising weak temporal locations and de-emphasising strong locations in metric structure. Stimuli consisting of pairs of unsyncopated and syncopated musical phrases were rated by 35 musicians for perceived complexity, enjoyment, happiness, arousal, and tension. Overall, syncopated patterns were more enjoyed, and rated as happier, than unsyncopated patterns, while differences in perceived tension were unreliable. Complexity and arousal ratings were asymmetric by serial order, increasing when patterns moved from unsyncopated to syncopated, but not significantly changing when order was re...
Music is often studied as a cognitive domain alongside language. The emotional aspects of music have...
All music contains pitch-time patterns. Gestalt principles, which are learned from perceptual intera...
This article is based on the assumption of musical power to change the listener's mood. The paper st...
What makes a rhythm interesting, or even exciting to lis-teners? While in the literature a wide rang...
In order to better understand the musical properties which elicit an increased sensation of wanting ...
The pleasurable desire to move to music, also known as groove, is modulated by rhythmic complexity. ...
This work aims at studying the relationship between rhythmical complexity, synchronisation and likin...
Investigating cues that underpin perceptual judgments of interpersonal coordination has important im...
Psychology of music has shown renewed interest in how music expresses emotion to listeners. However,...
This chapter reviews theoretical accounts of the relation between music and emotion and presents a c...
Groove is defined as the tendency to move some part of your body according to some aspectof the soun...
Recent studies suggest that rhythmic syncopation is a relevant predictor for groove. In order to val...
Our investigation was aimed at improving the comprehension of asymmetrical rhythms. Specifically, ou...
This study investigated person perception in respect of variables associated with affect in music (t...
Affective algorithmic composition is a growing field that combines perceptually motivated affective ...
Music is often studied as a cognitive domain alongside language. The emotional aspects of music have...
All music contains pitch-time patterns. Gestalt principles, which are learned from perceptual intera...
This article is based on the assumption of musical power to change the listener's mood. The paper st...
What makes a rhythm interesting, or even exciting to lis-teners? While in the literature a wide rang...
In order to better understand the musical properties which elicit an increased sensation of wanting ...
The pleasurable desire to move to music, also known as groove, is modulated by rhythmic complexity. ...
This work aims at studying the relationship between rhythmical complexity, synchronisation and likin...
Investigating cues that underpin perceptual judgments of interpersonal coordination has important im...
Psychology of music has shown renewed interest in how music expresses emotion to listeners. However,...
This chapter reviews theoretical accounts of the relation between music and emotion and presents a c...
Groove is defined as the tendency to move some part of your body according to some aspectof the soun...
Recent studies suggest that rhythmic syncopation is a relevant predictor for groove. In order to val...
Our investigation was aimed at improving the comprehension of asymmetrical rhythms. Specifically, ou...
This study investigated person perception in respect of variables associated with affect in music (t...
Affective algorithmic composition is a growing field that combines perceptually motivated affective ...
Music is often studied as a cognitive domain alongside language. The emotional aspects of music have...
All music contains pitch-time patterns. Gestalt principles, which are learned from perceptual intera...
This article is based on the assumption of musical power to change the listener's mood. The paper st...