Colonialist stereotypes portrayed Hindu men, particularly those involved in goddess worship and Tantra, as effeminate and decadent. This article examines key myths, symbols, practices and testimony from male practitioners involved in the worship of Kāmākhyā, revealing a more nuanced understanding of the relationship between the goddess and her male devotees. It explores kingly patronage and sacrifice in the life of the temple and elucidates the role of the gods, particularly Śiva, in their support for the yoni goddess. Implications for gender dynamics are considered and the multiple meanings of yoni worship are elaborated, revealing the effects for masculine identity and the significance of the cosmic yoni
The Gujarati mātās, village goddesses traditionally popular among scheduled castes and often worship...
Religious ideas have played— – and as this chapter will show, continue to play— – a central role in ...
The thesis investigates the cultural interventions of Hindu nationalist, C. Rajagopalachari (CR), by...
Colonialist stereotypes portrayed Hindu men, particularly those involved in goddess worship and Tant...
This article examines the sociological dynamics of a number of contemporary Pagan men who venerate g...
From Ancient times the imagery and mythology of the most important Hindu gods Visnu and Siva – who a...
In ancient Assam the mythology of Dakṣa’s sacrifice and the consequent suicide of Satī was transform...
India may be described as a land of goddesses. Far more than the gods, it is the goddesses who seem ...
ABSTRACT: Hindu women's restrictions to the home and limited interactions with their husbands d...
In Kāmarūpa (Assam) after the Hindu invasion headed by Naraka, the brāhmaṇas in order to legitimise ...
This thesis enquires into the process of normalisation of violent masculinity and masculinism in Ind...
The paper seeks to work through the heuristic device of marriage and femalesexual bodily fluids, as ...
Sabarimala – a South Indian all-male pilgrimage to Ayyappan, a hyper-male deity born from two male g...
The temple of the Goddess Kāmākhyā a in Assam is the pre-eminent site of Hindu Goddess worship. It i...
The Creative Feminine has been given two remarkable names in Hindu religious philosophy: Chinmayee a...
The Gujarati mātās, village goddesses traditionally popular among scheduled castes and often worship...
Religious ideas have played— – and as this chapter will show, continue to play— – a central role in ...
The thesis investigates the cultural interventions of Hindu nationalist, C. Rajagopalachari (CR), by...
Colonialist stereotypes portrayed Hindu men, particularly those involved in goddess worship and Tant...
This article examines the sociological dynamics of a number of contemporary Pagan men who venerate g...
From Ancient times the imagery and mythology of the most important Hindu gods Visnu and Siva – who a...
In ancient Assam the mythology of Dakṣa’s sacrifice and the consequent suicide of Satī was transform...
India may be described as a land of goddesses. Far more than the gods, it is the goddesses who seem ...
ABSTRACT: Hindu women's restrictions to the home and limited interactions with their husbands d...
In Kāmarūpa (Assam) after the Hindu invasion headed by Naraka, the brāhmaṇas in order to legitimise ...
This thesis enquires into the process of normalisation of violent masculinity and masculinism in Ind...
The paper seeks to work through the heuristic device of marriage and femalesexual bodily fluids, as ...
Sabarimala – a South Indian all-male pilgrimage to Ayyappan, a hyper-male deity born from two male g...
The temple of the Goddess Kāmākhyā a in Assam is the pre-eminent site of Hindu Goddess worship. It i...
The Creative Feminine has been given two remarkable names in Hindu religious philosophy: Chinmayee a...
The Gujarati mātās, village goddesses traditionally popular among scheduled castes and often worship...
Religious ideas have played— – and as this chapter will show, continue to play— – a central role in ...
The thesis investigates the cultural interventions of Hindu nationalist, C. Rajagopalachari (CR), by...