We confirm our earlier observations (Bailes & Dean, 2005) that listeners can efficiently detect segmentation in computer-generated music which is primarily timbral and textural, atonal and non-metrical. We show that contextual aspects influence this detection, such as those in force in the ramp effect whereby an addition or increase of sound is more readily detected than an equivalent removal or reduction. Listeners are less efficient in detecting a change of segment after a short than after a long segment. They are more efficient in detecting change in real-time when allowed to repeat the detection task. Real-time and retrospective perceptions correlate well
Since the studies of Helmholtz, it has been known that the temporal evolution of musical sounds play...
As music unfolds in time, structure is recognised and understood by listeners, regardless of their l...
Background: This study concerns the perception of musical segmentation during listening to live cont...
We examined the impact of listening context (sound duration and prior presentation) on the human per...
We examined the impact of listening context (sound duration and prior presentation) on the human pe...
The controlled manipulation of digitally generated sound in computer music affords new opportunities...
The commentary by Cross and Rohrmeier (2007) attempts to locate our paper (Bailes and Dean, 2007a) a...
ABSTRACT: Although the study by Bailes & Dean (2007) addresses an under-researched area of audi...
Although the study by Bailes & Dean (2007) addresses an underresearched area of auditory and musica...
Presented at the 20th International Conference on Auditory Display (ICAD2014), June 22-25, 2014, New...
We carried out two experiments to test the relationship between real-time perception of structural c...
In the act of music listening, many people break down musical pieces into chunks such as verses and...
The perceptual structure of music is a fundamental issue in music psychology that can be systematic...
Background: This study concerns the perception of musical segmentation during listening to live cont...
The segmentation-change model of time perception proposes that individuals engaged in cognitive task...
Since the studies of Helmholtz, it has been known that the temporal evolution of musical sounds play...
As music unfolds in time, structure is recognised and understood by listeners, regardless of their l...
Background: This study concerns the perception of musical segmentation during listening to live cont...
We examined the impact of listening context (sound duration and prior presentation) on the human per...
We examined the impact of listening context (sound duration and prior presentation) on the human pe...
The controlled manipulation of digitally generated sound in computer music affords new opportunities...
The commentary by Cross and Rohrmeier (2007) attempts to locate our paper (Bailes and Dean, 2007a) a...
ABSTRACT: Although the study by Bailes & Dean (2007) addresses an under-researched area of audi...
Although the study by Bailes & Dean (2007) addresses an underresearched area of auditory and musica...
Presented at the 20th International Conference on Auditory Display (ICAD2014), June 22-25, 2014, New...
We carried out two experiments to test the relationship between real-time perception of structural c...
In the act of music listening, many people break down musical pieces into chunks such as verses and...
The perceptual structure of music is a fundamental issue in music psychology that can be systematic...
Background: This study concerns the perception of musical segmentation during listening to live cont...
The segmentation-change model of time perception proposes that individuals engaged in cognitive task...
Since the studies of Helmholtz, it has been known that the temporal evolution of musical sounds play...
As music unfolds in time, structure is recognised and understood by listeners, regardless of their l...
Background: This study concerns the perception of musical segmentation during listening to live cont...