The aim of this paper is to examine what has commonly been perceived as a discrepancy between the generally pragmatic or amoral tone of the Rhetoric and Aristotle’s preoccupation with normative questions elsewhere in his works, including in the opening chapter of the Rhetoric itself. I suggest an interpretation that allows for this discrepancy to be avoided. When Aristotle warns against emotional influence in Rhetoric 1.1, this statement must be seen in context with his critique of previous writers of rhetorical handbooks. By looking at other historical sources to the rhetorical practice that Aristotle appears to criticize, we can better understand what the critique is really about. I argue that this historical context makes plausible an un...
In his treatise, On Rhetoric, Aristotle argues that there are three species within an art of rhetor...
THE END OF PERSUASION IN ARISTOTLE’S “RHETORIC” 1.1-1.8Aristotle’s writings contain an interesting p...
Aristotle's Rhetoric is of ambivalent character. While reading it, we feel a certain vacillation bet...
The aim of this paper is to examine what has commonly been perceived as a discrepancy between the ge...
The principal claim defended in this thesis is that for Aristotle arousing the emotions of others ca...
Aristotle, in the Rhetoric, appears to claim both that emotion-arousal has no place in the essentia...
In contrast to those who more characteristically approach emotion as an individual realm of experien...
The principal claim is that for Aristotle arousing the passions of others can amount to giving them ...
This paper takes up the claim of some recent commentators that Aristotle, in the Rhetoric, supposed ...
In spite of the continuing influence of Aristotle\u27s "Rhetoric" on the discipline of rhetoric, no ...
Includes bibliographical references (pages 63-67)Aristotle???s Rhetoric has long been a canonical te...
This essay explores the interrelations among Aristotelian practical reason, Aristotelian emotion, an...
Aristotle's Rhetoric is a descriptive text to a greater extent than normally recognised and so our u...
Aristotle never offers a general account of emotion, and so commentators have tried to construct a t...
It is no exaggeration to say that all Western literary criticism flows from Aristotle. In the Poetic...
In his treatise, On Rhetoric, Aristotle argues that there are three species within an art of rhetor...
THE END OF PERSUASION IN ARISTOTLE’S “RHETORIC” 1.1-1.8Aristotle’s writings contain an interesting p...
Aristotle's Rhetoric is of ambivalent character. While reading it, we feel a certain vacillation bet...
The aim of this paper is to examine what has commonly been perceived as a discrepancy between the ge...
The principal claim defended in this thesis is that for Aristotle arousing the emotions of others ca...
Aristotle, in the Rhetoric, appears to claim both that emotion-arousal has no place in the essentia...
In contrast to those who more characteristically approach emotion as an individual realm of experien...
The principal claim is that for Aristotle arousing the passions of others can amount to giving them ...
This paper takes up the claim of some recent commentators that Aristotle, in the Rhetoric, supposed ...
In spite of the continuing influence of Aristotle\u27s "Rhetoric" on the discipline of rhetoric, no ...
Includes bibliographical references (pages 63-67)Aristotle???s Rhetoric has long been a canonical te...
This essay explores the interrelations among Aristotelian practical reason, Aristotelian emotion, an...
Aristotle's Rhetoric is a descriptive text to a greater extent than normally recognised and so our u...
Aristotle never offers a general account of emotion, and so commentators have tried to construct a t...
It is no exaggeration to say that all Western literary criticism flows from Aristotle. In the Poetic...
In his treatise, On Rhetoric, Aristotle argues that there are three species within an art of rhetor...
THE END OF PERSUASION IN ARISTOTLE’S “RHETORIC” 1.1-1.8Aristotle’s writings contain an interesting p...
Aristotle's Rhetoric is of ambivalent character. While reading it, we feel a certain vacillation bet...