In line with the efforts from the Ubiquitous Music Group, our research identified recurring patterns of interaction between humans and computing devices in existing music software and hardware. These four kinds of repeatedly implemented musical interactions are being documented in the form of interaction design patterns, providing an alternative taxonomy of interaction types, suitable for musical and computational developments in ubiquitous music research. In this paper we briefly describe the meaning of patterns in design fields. We also defend the use of interaction patterns in the design of ubiquitous music systems, and present the four proto-patterns proposed in our research. We intend with this paper to foster discussions at this 3rd U...
This thesis suggests a new model of human-machine interaction in the domain of non-idiomatic musical...
International audienceIn this paper, we present a complete framework, both technical and conceptual,...
Computing is transforming how we interact with music. New theories and new technologies have emerged...
In line with the efforts from the Ubiquitous Music Group, our research identified recurring patterns...
In this paper we give an analysis of the literature on a set of problems that can arise when underta...
This agenda-setting book presents state of the art research in Music and Human-Computer Interaction ...
This paper describes research carried out in the MIDWAY project at the interface between Computer Mu...
The thesis aims to elucidate the process of designing interactive systems for musical performance th...
This paper describes research carried out in the MIDWAY project at the interface between Computer Mu...
International audienceThis chapter discusses possible links between the fields of computer music and...
WorkshopInternational audienceMusic is an evolutionarily deep-rooted, abstract, real-time, complex, ...
It is widely accepted that acoustic and digital musical instruments shape the cognitive processes of...
Interactive systems of today are designed for individual-based interactions, which have led to peopl...
National audienceThis paper presents a prototypical computational framework for music computing appr...
This dissertation reports on interdisciplinary research concerning interaction in the fields of comp...
This thesis suggests a new model of human-machine interaction in the domain of non-idiomatic musical...
International audienceIn this paper, we present a complete framework, both technical and conceptual,...
Computing is transforming how we interact with music. New theories and new technologies have emerged...
In line with the efforts from the Ubiquitous Music Group, our research identified recurring patterns...
In this paper we give an analysis of the literature on a set of problems that can arise when underta...
This agenda-setting book presents state of the art research in Music and Human-Computer Interaction ...
This paper describes research carried out in the MIDWAY project at the interface between Computer Mu...
The thesis aims to elucidate the process of designing interactive systems for musical performance th...
This paper describes research carried out in the MIDWAY project at the interface between Computer Mu...
International audienceThis chapter discusses possible links between the fields of computer music and...
WorkshopInternational audienceMusic is an evolutionarily deep-rooted, abstract, real-time, complex, ...
It is widely accepted that acoustic and digital musical instruments shape the cognitive processes of...
Interactive systems of today are designed for individual-based interactions, which have led to peopl...
National audienceThis paper presents a prototypical computational framework for music computing appr...
This dissertation reports on interdisciplinary research concerning interaction in the fields of comp...
This thesis suggests a new model of human-machine interaction in the domain of non-idiomatic musical...
International audienceIn this paper, we present a complete framework, both technical and conceptual,...
Computing is transforming how we interact with music. New theories and new technologies have emerged...