جماليات التشطير في القصيدة العربية بين الماضي والحاضر

Survival and advancement of nations is attributed to their literatures. This is because literatures enable individuals to transcend the material life and be able to visualize the noble meanings and the world of aesthetics. Indeed, a language is the best level of describing self and others as it does not originate from the ego, but rather from the laws of the universe and existence. Moreover, it is not only a lexicon, but also a combination of words, indications, gestures, spaces, and imagery. It is, hence, possible to realize the significance of poetry as a definition of all the previous elements. Tashteer is a type of poetic art where a poet does not invent a new idea but rather adopts the idea of poetry by another poet. The poet follows the meter and rhyme set by the original poet, and thus is not allowed much space for creating a purpose apart from the original one. Therefore, a poet is confined to the predefined purpose and notion in terms of grammatical, syntactic and semantic aspects. The paper focuses on the study of the art of Tashteer of poet Ali al-Deeb who performed Tashteer on the poet of Abi Firaas (Araaka `Asaiyya al-Dam`). The study aims to introduce the art of Tashteer by addressing its practical aspect. The study also uses the descriptive analytical approach to illustrate the strength points of Mushatir (a poet performing Tashteer) and compare his poet with the original one in terms of serving the concept. The study comprises two parts; Part one is for defining the art of Tashteer in the Arabian poetry. Part two includes the analytical study of the poetry under Tashteer. The study concluded several findings including: al-Deeb clearly comprehended the purposes that Abi Firaas had in his poetry. Thus, he was able to have hold of the main notion of the text both linguistically and semantically. He was even able to penetrate into some of the lines and reveal the thoughts